We Gon’ Be Alright: Resistance and Healing in Black Movement Spaces, 2012–2021 opens up the inner lives of Black activists and organizers to share their survival struggles and strategies for collective thriving. Rev. Dr. Stephanie M. Crumpton explores these dynamics during a period of Black radicalism that emerged with the election of the first Black president of the United States, white racist retaliation, social upheaval over police violence, and the impact of the COVID-19’s exposure of deep social inequities.  

Free-flowing rivers in the United States are an endangered species. We’ve dammed and diverted almost every major river, straightening curves and blocking passage for fish and other aquatic animals, pushing many to the brink. Now a heartening new movement is helping to demolish harmful or obsolete structures, restoring new life to rivers and communities that depend on them. In doing so, it offers a pathway to undoing environmental harm to nature—and to ourselves.

In Undammed, environmental journalist Tara Lohan makes a case for the unexpected benefits of dam removal. By restoring rivers, she argues, we’re protecting our own communities by increasing climate resilience, improving water quality, enhancing public safety, and boosting fish populations that feed people and restore rights for Native American Tribes. Undammed is an inspirational look at our changing relationship with the natural world, showing the cascade of benefits that come when we no longer turn our backs on rivers.
 

In these two stories, "Granny Wild Goose" and "The Root's Tale," award-winning South Korean writer Kim Soom presents portraits of complex women who have emerged wiser from life’s brutality. One is a former comfort woman, one is a modern woman in a failing relationship, yet neither flinches away from their lives. The sensitive translation maintains Kim’s beautiful imagery and musical prose.
 

This volume foregrounds agency in examining histories of how Indigenous people in lowland South America intentionally engaged with outsiders in colonial and postcolonial eras. Anthropologists and historians show how local people formed strategic partnerships to defend livelihoods, territory, and symbolic values, as well as to curb exploitation, predation, and threats.

In his poetry collection, Flatfish, Moon Tae-jun offers an aesthetic that emphasizes the author’s exploration of the inner self. At times sparse and allusive, his poems use blank space and other stylistic considerations to convey a voice and thought that ranges from the contemplative to the surreal and absurd. Moon’s poems suggest Buddhist ideologies, natural images, and Korean temples.

Economies of Gender: Masculinity, "Mail Order Brides," and Women’s Labor explores the global dating industry, challenging stereotypes by examining how men seek "feminine capital" in international partners. Through twelve years of research, the book reveals how gender, labor, and cultural dynamics shape relationships across different regions.

Economies of Gender: Masculinity, "Mail Order Brides," and Women’s Labor explores the global dating industry, challenging stereotypes by examining how men seek "feminine capital" in international partners. Through twelve years of research, the book reveals how gender, labor, and cultural dynamics shape relationships across different regions.