Showing 271-280 of 1,808 items.

Howling Near Heaven

Twyla Tharp and the Reinvention of Modern Dance

University Press of Florida
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Afro-Cuban Voices

On Race and Identity in Contemporary Cuba

University Press of Florida

Based on vivid testimonies of 14 prominent Afro-Cubans, this book looks at how race affects daily life in Cuba. Interviewees from different generations, regions—& representing the arts, media, industry, academe, & medicine—all respond to 4 questions: Wh

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The Last Resort

Jewish South Beach, 1977–1986

University Press of Florida
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Taste the Islands

Culinary Adventures in a Caribbean Kitchen

University Press of Florida
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Perspectives on American Dance

The Twentieth Century

University Press of Florida
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Chinese Diaspora Archaeology in North America

University Press of Florida

Showcasing the enormous amount of archaeological data available on the experiences of Chinese people who migrated to the United States and Canada in the nineteenth century, this volume charts new directions for the field of Chinese diaspora archaeology by providing fresh, more nuanced approaches to interpreting immigrant life.

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The Changing South of Gene Patterson

Journalism and Civil Rights, 1960-1968

University Press of Florida

The Changing South of Gene Patterson celebrates the work of one of America’s most influential journalists who wrote in a time and place of dramatic social and political upheaval. The editor of the Atlanta Constitution from 1960 through 1968, Patterson wrote directly to his fellow white southerners every day, working to persuade them to change their ways. His words were so inspirational that he was asked by Walter Cronkite to read his most famous column, about the Birmingham church bombing, live on the CBS Evening News.

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Language as Prayer in Finnegans Wake

University Press of Florida

This innovative analysis shows how James Joyce uses the language of prayer to grapple with intangible things in his dreamlike masterpiece Finnegans Wake. Colleen Jaurretche moves beyond what scholars know about how Joyce wrote this work to suggest exactly why it follows the order it does in its finished form.

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