When non-Orthodox Jews become frum (religious), they encounter much more than dietary laws and Sabbath prohibitions. They find themselves in the midst of a whole new culture, involving matchmakers, homemade gefilte fish, and Yiddish-influenced grammar. Becoming Frum explains how these newcomers learn Orthodox language and culture through their interactions with community veterans and other newcomers. 

The Vulnerable Empowered Woman assesses the state of women’s healthcare today by analyzing popular media representations—television, print newspapers, websites, advertisements, blogs, and memoirs—in order to understand the ways in which breast cancer, postpartum depression, and cervical cancer are discussed in American public life. Tasha N. Dubriwny’s analysis concludes with a call to re-politicize women’s health through narratives that can help us imagine women, and their relationship to medicine, differently.

A Kosher Christmas portrays how Jews are shaping the public and private character of Christmas by transforming December into a joyous holiday season belonging to all Americans through unique and innovative responses, including transforming Hanukkah into the Jewish Christmas; creating a national Jewish tradition of patronizing Chinese restaurants and comedy shows on Christmas Eve; volunteering at shelters and soup kitchens on Christmas Day; and blending holiday traditions into an interfaith hybrid celebration of “Chrismukkah.”

War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary practices, and democratic ideals. Using carefully chosen case studies, Dora Apel examines a wide variety of images and cultural representations of war in the United States and the Middle East, including photography, performance art, video games, reenactment, and social media images. Simultaneously, she explores the merging of photojournalism and artistic practices, the effects of visual framing, and the construction of both sanctioned and counter-hegemonic narratives in a global contest of images.

Life after Death Row examines the post-incarceration struggles of individuals who have been wrongly convicted of capital crimes, sentenced to death, and subsequently exonerated. Drawing upon research on trauma, recovery, coping, and stigma, the authors weave a nuanced fabric of grief, loss, resilience, hope, despair, and meaning to provide the richest account to date of the struggles faced by people striving to reclaim their lives in contemporary American society after years of wrongful incarceration.

Specters of War: Hollywood’s Engagement with Military Conflict looks at the way war has been brought to the screen in various genres and at different historical moments throughout the twentieth century. Elisabeth Bronfen asserts that Hollywood has emerged as a place where national narratives are created and circulated so that audiences can engage with fantasies, ideologies, and anxieties that take hold at a given time, only to change with the political climate.

Set in Haiti following the 2004 coup and enhanced by research carried out after the 2010 earthquake, Killing with Kindness analyzes the impact of official development aid on recipient non-governmental organizations (NGOs) and their relationships with local communities. It offers rich ethnographic comparisons of two Haitian women’s NGOs working in HIV/AIDS prevention and examines participation and autonomy as well as donor policies that inhibit these goals. 

Set in Haiti following the 2004 coup and enhanced by research carried out after the 2010 earthquake, Killing with Kindness analyzes the impact of official development aid on recipient non-governmental organizations (NGOs) and their relationships with local communities. It offers rich ethnographic comparisons of two Haitian women’s NGOs working in HIV/AIDS prevention and examines participation and autonomy as well as donor policies that inhibit these goals. 

The Leading Man analyzes the evolution and the significance of the interaction between Hollywood and Washington to trace the history of the cinematic presidential image. Burton W. Peretti shows that traditional practices of presidential image making go back to George Washington, and then places the fourteen presidents of the cinematic era, from Herbert Hoover to Barack Obama, at the center of the story. He demonstrates how movies have been the main force in promoting image and drama over the substance of governing.

In Learning the Hard Way, Edward W. Morris explores and analyzes detailed ethnographic data to examine the purported gender gap between boys and girls in educational achievement at two low-income high schools—one rural and predominantly white, the other urban and mostly African American. He explains how race, class, and geographic location combine to influence and complicate the construction of gender identities in high school students and affect the respective academic performance of the students he studied.

In Learning the Hard Way, Edward W. Morris explores and analyzes detailed ethnographic data to examine the purported gender gap between boys and girls in educational achievement at two low-income high schools—one rural and predominantly white, the other urban and mostly African American. He explains how race, class, and geographic location combine to influence and complicate the construction of gender identities in high school students and affect the respective academic performance of the students he studied.

Real Gangstas relies on the tradition of urban ethnography to provide a unique and intimate look at the lives of street gang members in Indianapolis, IN. For eighteen months, Timothy R. Lauger interviewed and observed a mix of fifty-five gang members, former gang members, and non-gang street offenders, many from the “Down for Whatever Boyz.” Through this research, Lauger is able to understand and explain the reasons for gang membership, including a chaotic family life, poverty, and the need for violent self-assertion in order to foster the creation of a personal identity.

Now available for the first time as a three-volume set, The New Anthology of American Poetry offers the most compelling and wide-ranging selection of poems from the nation’s beginnings to the present day. Extensive introductions, notes, and footnotes make the great poems of each period fully accessible.

Death of the Moguls is a detailed assessment of the last days of the “rulers of film” from Hollywood’s classical era. Using rare, behind-the-scenes stills, Wheeler Winston Dixon details such game-changing factors as the de Havilland decision, the Consent Decree, how the moguls dealt with their collapsing empires in the era of television, and the end of the conventional studio assembly line to create a compelling narrative of the end of the studio system at each of the Hollywood majors.

Academic Motherhood tells the story of one hundred women who are both professors and mothers and how they navigated their professional lives at different career stages. It is based on a longitudinal study that asks how women faculty on the tenure track manage work and family in their early careers when their children are under the age of five, and again in mid-career when their children are older. Policy recommendations that support faculty with children and mechanisms for problem-solving at personal, departmental, institutional, and national levels are provided.

At what moments and in what ways did Jews play a central role in American capitalism? Chosen Capital addresses this question head-on by exploring Jews’ impact on American capitalism as both its architects—through their participation in specific industries—and as its most vocal critics through their support of unionism and radical political movements. Essays are contributed by a stellar list of scholars.

Beyond Health, Beyond Choice is a multidisciplinary collection of essays written by thirty-seven contributors that examines the role of feminist theory in the promotion of breastfeeding by public health authorities. Essays are arranged thematically and consider breastfeeding in relation to health care; work and family; embodiment (specifically breastfeeding in public); economic and ethnic factors; guilt; violence; and commercialization.