Jewish education has been dominated by two concerns: What ought to be taught? And what is the best way to teach it?  This book upends the conventional approaches by asking a different question: How do people learn to engage in Jewish life?
 

Global Film Color: The Monopack Revolution at Midcentury explores color filmmaking around the world during the mid-century era when color came to dominate global film production. As Eastmancolor, Agfacolor, Fujicolor and other film stocks became broadly available and affordable, national film industries increasingly converted to color, transforming the look and feel of global cinema.

Biologist Eric G. Bolen introduces readers to the natural wonders of the Jersey Shore, taking them on a guided tour of its unique ecology and fascinating history. You’ll learn about everything from sand dunes to salt marshes, from blueberry patches to cranberry bogs, and from ship wrecks to shark attacks. 

Combining science writing, environmental history, and first-hand accounts from a longtime resident, At the Glacier’s Edge offers a unique narrative natural history of Long Island. It tells the story of how its habitats evolved, how humans radically degraded its landscape, and how community activists are restoring the land and preserving the species who depend on it. 

American democracy has reached an inflection point. This book is a wake-up call about the heavy responsibilities that come with being a citizen in a participatory democracy. It describes the many ways that individuals can make a difference on both local and national levels—and explains why they matter.

Yakov Protazanov was the most prolific Russian director of the silent era whose works enjoyed consistent popularity with audiences as he adapted to the Russian Revolution and, later, the transition to sound. This first career-length study in English argues that he pursued a unique artistic vision that reflected his ambivalent position within Soviet culture of the revolutionary era.

Headstrong art historian Leyla is expecting a baby with feckless computer technician Pablo. There’s only one problem: she can’t stand him. And one more problem: her student Michael wants Pablo for himself. But when the writings by utopian philosopher Tommaso Campanella unlocks the secret of a painting and a mystical gateway to 17th-century Naples, Leyla and Michael embark on a voyage of self-discovery in search of a new life.

This fresh take on the epistolary novel tells the story of a family through the disparate perspectives of a teenage daughter writing in her diary, a mother composing letters, and a grandmother speaking into a recorder. In turns heartbreaking and laugh-out-loud funny, it is a triumph of voice and style from one of Italy’s most renowned writers.

Former Hudson River Park Conservancy president Tom Fox offers an insider’s look at the park’s expansion and the conflicts it has spawned among community activists, local politicians, and private developers. Explaining how the park’s current problems might be surmounted, he provides a model for future urban planners. 
 

Born of War in Colombia examines how a past-oriented and harm-centered model of transitional justice has converged with a restricted notion of gendered victimhood and the patriarchal politics of reproduction to render the bodies of people born of conflict-related sexual violence unintelligible to those seeking to understand and address the consequences of war in Colombia.
 

In A Nation of Family and Friends sociologist Aarti Ratna interrogates sport and leisure cultures as a site of common culture. Ratna portrays and analyses the vagaries of British Asian-ness and examines the intersections of class, caste, age, generation, gender, and sexuality, providing a rich and critical exploration of British Asian women's sport and leisure choices, pleasures, and lived realities.

Politicizing Islam in Austria is a comprehensive examination of the influence of the far right on the Austrian political landscape and the impact its anti-Muslim agenda has had in a country whose longstanding state recognition of the Muslim community dates to as early as 1912.

In Glory, Judas Iscariot finally tells his side of the story. From his perspective, Jesus is the betrayer, while Judas himself brought humanity a chance at redemption. Through Judas’s searing tortured monologues, this late masterpiece from one of Italy’s greatest writers investigates deep questions about the nature of faith, rebellion, fate, and free will.
 

In this groundbreaking ethnographic study of the transnational Third Temple and Children of Noah movements, Messianic Zionism in the Digital Age highlights the intimate effects of political theologies in motion, new forms of digital missionizing, and the birth of a new Judaic faith. 
 

Making History Move builds upon decades of scholarship investigating history in visual culture, proposing a methodology of five principles to analyze history in moving images in the digital age, charting a path to understand the form of history with the most significant impact on public perceptions of the past.

This biography tells the story of Muppet performer Richard Hunt, who created a colorful range of characters on The Muppet Show, Sesame Street and Fraggle Rock, and crammed an extraordinary career into only 40 years of life. Funny Boy is about a man who used humor, joy and resilience to adapt to life’s surprises while entertaining millions. 

This book presents an 80-year history of how the comics industry has drawn inspiration from biblical imagery, stories, and themes. Charting how comics have both reflected and influenced Americans’ changing attitudes towards religion, it includes underground comix, books from Christian publishers, and a vast array of DC, Marvel, and Dark Horse titles, from Hellboy to Preacher.   

Queer Newark charts an alternate history of LGBTQ life in America where working-class people of color are the central actors. Uncovering the sites and people of Newark’s queer past in bars, discos, ballrooms, and churches, these essays reveal how violence, poverty, and homophobia could never suppress joy, resistance, love, and desire.

Queer Newark charts an alternate history of LGBTQ life in America where working-class people of color are the central actors. Uncovering the sites and people of Newark’s queer past in bars, discos, ballrooms, and churches, these essays reveal how violence, poverty, and homophobia could never suppress joy, resistance, love, and desire.

Destroy Them Gradually reframes forced displacement as an annihilatory process, rather than as an event that precedes an atrocity. Displacement crimes are defined as the unique fusion of forced displacement with systemic deprivations of vital daily needs to destroy populations.
 

Culinary Colonialism is the first book-length analysis of Caribbean cookbooks, tracing the multitude of ways they represent national identity, creolization, and working-class women’s food culture. Including full recipes from Cuban, Puerto Rican, Jamaican, Barbadian, Haitian, Dominican, and Antillean cookbooks, this groundbreaking work of scholarship doubles as a delicious cookbook.

Strictly Observant presents a compelling ethnographic study of the complex dynamic between women in both the Pennsylvanian Old Order Amish and Israeli Ultra-Orthodox Jewish communities and contemporary media technologies. These women exhibit a deep awareness of how to manage their usage of media as tools to increase their social and religious capital.
 

Reflections on the Pandemic: COVID and Social Crises in the Year Everything Changed is a collection of essays, poems, and artwork that captures the raw energy and emotion of 2020 from the perspective of the Rutgers University community. This book, through its rich and imaginative storytelling at the intersection of scholarly expertise and personal narrative brings readers into the hearts and minds of not just the Rutgers community, but the world.

Happy Days investigates how 1970s popular culture was obsessed with America’s past, but offered radically different interpretations of the same historical events and icons. Looking at representations of 1950s teenagers, the noir detective, America’s bicentennial, and neo-slave narratives, Benjamin Alpers examines how American history provoked both nostalgia and deep soul searching. 

Through their approximately $2.5 billion in donations each year to Israel, American Jews have profoundly impacted the direction of Israeli society. Checkbook Zionism uncovers how tensions over potential influence have been mediated and offers a new paradigm for evaluating philanthropic power sharing today.
 

Being Human: Political Modernity and Hospitality in Kurdistan-Iraq is a unique work of anthropological hospitality that draws on historical sources, eyewitness testimonies, perpetrator testimony, archival documents, trial records, artwork, novels, and poetry, to engage with one of political modernity’s acts of genocide in Iraq under the Iraqi Baʿth state.
 

Between 1970 and 1985, lesbian, gay, and bisexual educators (LGB) formed communities and began advocating for a place of openness and safety for LGB people in America's schools. They fought for protection and representation in the National Education Association and American Federation of Teachers in New York, Los Angeles and Northern California.

China and the Internet analyzes how Chinese activists, NGOs, and government offices have used the Internet to fight rural malnutrition, the digital divide, the COVID-19 pandemic, and other urgent problems affecting millions of people. It presents five theoretically-informed case studies of how new media have been used in interventions for development and social change, including how activists battled against COVID-19.

Between Care and Criminality examines Australian social welfare’s encounter with migration and marriage in an era of intensified border control. It offers an in-depth ethnographic account of how social welfare practitioners carry out a migrant-targeted social policy designed to prevent forced marriage in the aftermath of a 2013 law which criminalized the practice.

When Cowboys Come Home shows how World War II changed the ways men thought about their roles in American society. For three writers who served—James Jones, Stewart Stern, and Edward Field—the war taught that manhood didn’t have to be based on bravery and heroism, but could be defined by authenticity, sensitivity, and male camaraderie. Rebelling against the orthodoxies of their time, these veterans reimagined what roles a man could play and their work set the foundation for the revolutions of the sixties.
 

Watching While Black Rebooted: The Television and Digitality of Black Audiences examines what watching while Black means within an expanded U.S. televisual landscape. In this edition, media scholars return to television and digital spaces (those spaces relying on television structure) to think anew about what engages and captures Black audiences and users and why it matters.

Watching While Black Rebooted: The Television and Digitality of Black Audiences examines what watching while Black means within an expanded U.S. televisual landscape. In this edition, media scholars return to television and digital spaces (those spaces relying on television structure) to think anew about what engages and captures Black audiences and users and why it matters.

Self-Alteration: How People Change Themselves across Cultures approaches the subject of the self and its becoming through the exploration of modes of its transformation, including through religious and spiritual traditions and innovations; embodied participation in therepeutic prorams like psychoanalysis and gendered care services; and through political activism or relationships with animals. The essays in this collection show that both minor and major modes of self-alteration exist in many places and times, and across very different modern societies.
 

Providing a critical history of Tandem Productions, the company behind nearly all the hit Black sitcoms of the 1970s, including Good Times, The Jeffersons, Sanford and Son, and Diff’rent Strokes, Adrien Sebro explores how their sitcom plots paralleled what was happening behind the scenes, as talented African-Americans devised strategies to gain creative agency and fair financial compensation.