This is the first full-length study of All in the Family, a show that was remarkably popular even as it dared to address such taboo topics as rape, abortion, and racial prejudice. Through a close analysis of the sitcom’s main characters, Jim Cullen demonstrates how it was able to appeal to a broad spectrum of American viewers.

Why is college completion so closely linked to social class? In The Journey Before Us, Laura Nichols looks at the experiences of aspiring first-generation college students from middle-school to young adulthood and shows what must change in order to improve college pathways and graduate more students.

Sport, Physical Culture, and the Moving Body explores the extent to which the body, when moving about active body spaces (the gymnasium, the ball field, the lab, the running track, the beach, or the stadium) and those places less often connected to physical activity (the home, the street, the classroom, the automobile), is bounded to technologies of life and living, as well as to the political arrangements that seek to capitalize upon such frames of biological vitality. To do so, the authors problematize the rise of active body science (kinesiology, sport and exercise sciences, performance biotechnology) and the effects these scientific interventions have on embodied, lived experience. Sport, Physical Culture, and the Moving Body offers a groundbreaking departure from representationalist tendencies and orthodoxies brought about by the cultural turn in sport and physical cultural studies. It brings the moving body and its physics back into focus: re-centering moving flesh as the locus of social order, environmental change, and the global political economy.

Queer lives give rise to a vast array of objects, from home items to digital technology, but what makes an object queer? Queer Objects considers this question in a unique collection of essays from a collaboration of well-known and newer writers who transverse world history to write about items from ancient Egyptian tombs to today’s smartphone.
 

In Transnational Korean Cinema author Dal Yong Jin explores the interactions of local and global politics, economics, and culture to contextualize the development of Korean cinema and its current place in an era of neoliberal globalization and convergent digital technologies.