This ethnographic text brings to light the challenges and complexities inherent in the U.S. system of juvenile corrections. Building on over a year of field work at a boys’ residential facility, the authors provide a context for contemporary institutions and highlight some of the system’s most troubling tensions. The book provides narratives, observations, case examples, and recommendations for rehabilitating the system. A detailed appendix on conducting field research is useful for individuals in the social sciences and helping professions.

The Story of N analyzes the notion of sustainability from a fresh perspective, the integration of human activities with the biogeochemical cycling of nitrogen, and provides a supportive alternative to studying sustainability through the lens of climate change and the cycling of carbon. It is the first book to examine the social processes by which industrial societies learned to bypass a fundamental ecological limit and, later, began addressing the resulting concerns by establishing limits of their own.

Land of Smoke and Mirrors looks at greater Los Angeles through the images projected from within and without its geographical and psychological borders. Divided into sections that probe the city’s checkered history and reflect on Hollywood’s own self reflections, the book offers revealing readings of different types of texts (novelistic, cinematic, event-related, and geographical) to expose how Los Angeles, despite considerable remaining challenges, is blowing away some of the smoke of its not always proud past and rhetorically adjusting its rear-view mirrors.

Land of Smoke and Mirrors looks at greater Los Angeles through the images projected from within and without its geographical and psychological borders. Divided into sections that probe the city’s checkered history and reflect on Hollywood’s own self reflections, the book offers revealing readings of different types of texts (novelistic, cinematic, event-related, and geographical) to expose how Los Angeles, despite considerable remaining challenges, is blowing away some of the smoke of its not always proud past and rhetorically adjusting its rear-view mirrors.

Women on Ice is the first book to study exclusively the lives of women who use methamphetamine (ice, speed, crystal, shards) and the effects of its use on their families. In-depth interviews with women in the suburban counties of one of the largest metropolitan areas in the U.S. chronicle the details of their initiation into methamphetamine, the turning points into problematic drug use, and, for a few, their escape from lives veering out of control.

Body Double explores the myriad ways that artists and the creative process have been represented on screen. Through the exploration of many distinct forms of cinema, Lucy Fischer examines such topics as the gender, age, and mental or physical health of fictionalized artists; the dramatized interaction between artists, audiences, and critics; and the formal play of written words and nonverbal images.

Unbecoming Americans identifies a canon of writers who, during the years after World War II, explored forms of belonging in the world outside the domain of modern citizenship. It examines works by C.L.R. James, Richard Wright, Claudia Jones, and Carlos Bulos that show how these writers employed aesthetic alternative forms to the novel, including memoir, cultural criticism, and travel narrative, to contest prevailing notions of race, nation, and citizenship.

Volume 6, An Awful Hush, is about reformers trained “in the school of anti-slavery” trying to practice their craft in the age of Jim Crow and a new American Empire. It recounts new challenges to “an aristocracy of sex,” whether among bishops of the Episcopal church, voters in California, or trustees of the University of Rochester. And it sends last messages about woman suffrage. As Stanton wrote to Theodore Roosevelt on the day before she died, “Surely there is no greater monopoly than that of all men, in denying to all women a voice in the laws they are compelled to obey.”

The national identity of the United States was transformed between 1880 and 1930 due to mass immigration, imperial expansion, the rise of Jim Crow, and the beginning of the suffrage movement. The Romance of Race examines the role of minority women writers and reformers in the creation of modern American multiculturalism by placing minorities at the center of American identity and imagining a new national narrative based on the model of an interracial nuclear family.

In the Public Interest investigates the mechanisms that democratic societies have used to certify that those working as licensed doctors are properly trained and supervised as they deliver critical services to the public. It analyzes the workings of the crucial public institutions charged with maintaining the safety and legitimacy of the U.S. medical profession and provides prescriptive measures, addresses problems in need of reform, and suggests new procedures, resource allocation, and education in medical oversight.

Abandoning the Black Hero examines the motivations that led certain African American authors in mid-twentieth century to shift from writing protest novels about racial injustice to novels focusing primarily, if not exclusively on whites, or white-life novels. These fascinating works have been understudied despite having been written by such defining figures as Richard Wright, Zora Neale Hurston, James Baldwin, Ann Petry, and Chester Himes, as well as lesser known but formerly best-selling authors Willard Motley and Frank Yerby.

Sustaining Cities spotlights metropolitan and smaller centers in light of globalization and its aftermaths to discover what has happened to them in the wake of the global economic recession. Its nine essays look at such diverse topics as globalization and agriculture, public policies in modern cities, and corporate support in urban areas. Contributors examine how urban planners, architects, novelists, and filmmakers tap the unique and complex character of cities in response to economic, environmental, social, and political changes.

Conventionally translated as the “Jewish Enlightenment,” the Haskalah propelled Jews into modern life. Based on imaginative and historically grounded readings of primary sources, Olga Litvak presents a compelling case for rethinking the relationship between the Haskalah and the experience of political and social emancipation. Litvak challenges the prevailing view that the Haskalah provided the philosophical mainspring for Jewish liberalism.

This ethnographic study brings together scholarship on the anthropology of childhood, tourism, consumption, and exchange to examine how and why children working as unlicensed peddlers and tourist guides along the waterfront of Banaras, India, a popular and iconic tourist destination, elicit such powerful reactions from western visitors and locals in their community and explores how the children themselves experience their work and render it meaningful.

Erin N. Winkler uses in-depth interviews with an economically diverse group of African American children and their mothers to reorient the way we look at how children develop their ideas about race. She shows the importance of considering this process from children’s points of view and listening to their interpretations of their experiences. The roles of gender, skin tone, colorblind rhetoric, peers, family, media, school, and, especially, place in developing children’s racial identities and ideas are also examined.

When non-Orthodox Jews become frum (religious), they encounter much more than dietary laws and Sabbath prohibitions. They find themselves in the midst of a whole new culture, involving matchmakers, homemade gefilte fish, and Yiddish-influenced grammar. Becoming Frum explains how these newcomers learn Orthodox language and culture through their interactions with community veterans and other newcomers. 

The Vulnerable Empowered Woman assesses the state of women’s healthcare today by analyzing popular media representations—television, print newspapers, websites, advertisements, blogs, and memoirs—in order to understand the ways in which breast cancer, postpartum depression, and cervical cancer are discussed in American public life. Tasha N. Dubriwny’s analysis concludes with a call to re-politicize women’s health through narratives that can help us imagine women, and their relationship to medicine, differently.

A Kosher Christmas portrays how Jews are shaping the public and private character of Christmas by transforming December into a joyous holiday season belonging to all Americans through unique and innovative responses, including transforming Hanukkah into the Jewish Christmas; creating a national Jewish tradition of patronizing Chinese restaurants and comedy shows on Christmas Eve; volunteering at shelters and soup kitchens on Christmas Day; and blending holiday traditions into an interfaith hybrid celebration of “Chrismukkah.”

War Culture and the Contest of Images analyzes the relationships among contemporary war, documentary practices, and democratic ideals. Using carefully chosen case studies, Dora Apel examines a wide variety of images and cultural representations of war in the United States and the Middle East, including photography, performance art, video games, reenactment, and social media images. Simultaneously, she explores the merging of photojournalism and artistic practices, the effects of visual framing, and the construction of both sanctioned and counter-hegemonic narratives in a global contest of images.

Life after Death Row examines the post-incarceration struggles of individuals who have been wrongly convicted of capital crimes, sentenced to death, and subsequently exonerated. Drawing upon research on trauma, recovery, coping, and stigma, the authors weave a nuanced fabric of grief, loss, resilience, hope, despair, and meaning to provide the richest account to date of the struggles faced by people striving to reclaim their lives in contemporary American society after years of wrongful incarceration.

Specters of War: Hollywood’s Engagement with Military Conflict looks at the way war has been brought to the screen in various genres and at different historical moments throughout the twentieth century. Elisabeth Bronfen asserts that Hollywood has emerged as a place where national narratives are created and circulated so that audiences can engage with fantasies, ideologies, and anxieties that take hold at a given time, only to change with the political climate.

Set in Haiti following the 2004 coup and enhanced by research carried out after the 2010 earthquake, Killing with Kindness analyzes the impact of official development aid on recipient non-governmental organizations (NGOs) and their relationships with local communities. It offers rich ethnographic comparisons of two Haitian women’s NGOs working in HIV/AIDS prevention and examines participation and autonomy as well as donor policies that inhibit these goals. 

Set in Haiti following the 2004 coup and enhanced by research carried out after the 2010 earthquake, Killing with Kindness analyzes the impact of official development aid on recipient non-governmental organizations (NGOs) and their relationships with local communities. It offers rich ethnographic comparisons of two Haitian women’s NGOs working in HIV/AIDS prevention and examines participation and autonomy as well as donor policies that inhibit these goals. 

The Leading Man analyzes the evolution and the significance of the interaction between Hollywood and Washington to trace the history of the cinematic presidential image. Burton W. Peretti shows that traditional practices of presidential image making go back to George Washington, and then places the fourteen presidents of the cinematic era, from Herbert Hoover to Barack Obama, at the center of the story. He demonstrates how movies have been the main force in promoting image and drama over the substance of governing.

In Learning the Hard Way, Edward W. Morris explores and analyzes detailed ethnographic data to examine the purported gender gap between boys and girls in educational achievement at two low-income high schools—one rural and predominantly white, the other urban and mostly African American. He explains how race, class, and geographic location combine to influence and complicate the construction of gender identities in high school students and affect the respective academic performance of the students he studied.

In Learning the Hard Way, Edward W. Morris explores and analyzes detailed ethnographic data to examine the purported gender gap between boys and girls in educational achievement at two low-income high schools—one rural and predominantly white, the other urban and mostly African American. He explains how race, class, and geographic location combine to influence and complicate the construction of gender identities in high school students and affect the respective academic performance of the students he studied.

Real Gangstas relies on the tradition of urban ethnography to provide a unique and intimate look at the lives of street gang members in Indianapolis, IN. For eighteen months, Timothy R. Lauger interviewed and observed a mix of fifty-five gang members, former gang members, and non-gang street offenders, many from the “Down for Whatever Boyz.” Through this research, Lauger is able to understand and explain the reasons for gang membership, including a chaotic family life, poverty, and the need for violent self-assertion in order to foster the creation of a personal identity.

Now available for the first time as a three-volume set, The New Anthology of American Poetry offers the most compelling and wide-ranging selection of poems from the nation’s beginnings to the present day. Extensive introductions, notes, and footnotes make the great poems of each period fully accessible.

Death of the Moguls is a detailed assessment of the last days of the “rulers of film” from Hollywood’s classical era. Using rare, behind-the-scenes stills, Wheeler Winston Dixon details such game-changing factors as the de Havilland decision, the Consent Decree, how the moguls dealt with their collapsing empires in the era of television, and the end of the conventional studio assembly line to create a compelling narrative of the end of the studio system at each of the Hollywood majors.

Academic Motherhood tells the story of one hundred women who are both professors and mothers and how they navigated their professional lives at different career stages. It is based on a longitudinal study that asks how women faculty on the tenure track manage work and family in their early careers when their children are under the age of five, and again in mid-career when their children are older. Policy recommendations that support faculty with children and mechanisms for problem-solving at personal, departmental, institutional, and national levels are provided.

At what moments and in what ways did Jews play a central role in American capitalism? Chosen Capital addresses this question head-on by exploring Jews’ impact on American capitalism as both its architects—through their participation in specific industries—and as its most vocal critics through their support of unionism and radical political movements. Essays are contributed by a stellar list of scholars.

Beyond Health, Beyond Choice is a multidisciplinary collection of essays written by thirty-seven contributors that examines the role of feminist theory in the promotion of breastfeeding by public health authorities. Essays are arranged thematically and consider breastfeeding in relation to health care; work and family; embodiment (specifically breastfeeding in public); economic and ethnic factors; guilt; violence; and commercialization.

The Health Care Safety Net in a Post-Reform World examines how national health care reform will impact safety net programs that serve low-income and uninsured patients. With contributions from leading health care scholars, it is the first comprehensive assessment of the safety net following enactment of national health care reform.

African American culture is often considered expressive, dramatic, and even defiant, and this matrix has dominated our understanding of black communities and texts. In The Sovereignty of Quiet, Kevin Quashie explores how a different kind of expressiveness, from protests to readings to landmark texts, as represented in the idea of quiet could change common conceptions and provide a more nuanced view of black culture.

Newark’s Cathedral Basilica of the Sacred Heart is one of America’s greatest cathedrals and most exceptional Gothic Revival buildings. Rising from Newark’s highest ground and visible for miles, it spectacularly evokes its historic models. Gothic Pride sets Sacred Heart in the context of American cathedral building and, blending diverse fields, accounts for the complex circumstances that produced it.

Moving Color is the first book-length study of the beginnings of color cinema. It traces the legacy of color history from the beginning of the nineteenth century to the cinema of the early twentieth century and explores the implications of this genealogy on experimental and contemporary digital cinemas.

We Are in This Dance Together uses in-depth interviews with over sixty workers, managers, and policy makers to document and analyze events leading up to the female-led factory strike in March 2001 at a high-end producer of men’s suits in Mexico and the strike’s aftermath—including harassment from managers, corrupt union officials and labor authorities, and violent governor-sanctioned police actions. It illustrates how the women’s shared identity as workers and mothers, deserving of dignity, respect, and a living wage, became the basis for radicalization and led to further civic organizing against the state, the company, and the corrupt union to demand justice.

Since its original publication in 2004, The Case That Never Dies has become the standard account of the Lindbergh Kidnapping. Now, in a new afterword, Lloyd C. Gardner presents a surprise conclusion based on recently uncovered pieces of evidence that were missing from the initial investigation as well as an evaluation of Charles Lindbergh’s role in the search for the kidnappers. Out of the controversies surrounding the actions of Colonel Lindbergh, Norman Schwarzkopf, commander of the New Jersey State Police, and FBI director J. Edgar Hoover, Gardner presents a well-reasoned argument for what happened on the night of March 1, 1932.

The End of American Lynching questions how we think about the dynamics of lynching, what lynchings mean to the society in which they occur, how lynching is defined, and the circumstances that lead to lynching. Ashraf H. A. Rushday looks at three lynchings over the course of the twentieth century—one in Coatesville, Pennsylvania in 1911, one in Marion, Indiana in 1930, and one in Jasper, Texas in 1998—to see how Americans developed two distinct ways of thinking and talking about this act before and after the 1930s.

Though satellites are now used by a wide array of entertainment, communications, and information technologies, from radio stations to GPS devices, the business of making, launching, and maintaining satellites is still shrouded in mystery. Down to Earth presents the first comprehensive overview of the geopolitical maneuvers, financial investments, scientific innovations, and ideological struggles that take place behind the scenes of this fascinating industry.

Luis F. B. Plascencia’s Disenchanting Citizenship explores two interrelated issues: U.S. citizenship and the Mexican migrants’ position in the United States. Through an extensive and multifaceted collection of interviews, ethnographic fieldwork, ethno-historical research, and public policy analysis, Plascencia probes the ways in which citizenship discourses are understood and taken up by individuals. The book uncovers citizenship’s root as a Janus-faced  construct that encompasses a simultaneous process of inclusion and exclusion. This notion of citizenship is mapped on to the migrant experience, arguing that the acquisition of citizenship can lead to disenchantment with the very status desired. Using the experience of Mexican migrants, Plascencia expands the understanding of the dynamics of U.S. citizenship as a form of membership and belonging.

Narrative Landmines explores how rumors fit into and extend narrative systems and ideologies, particularly in the context of terrorism, counter-terrorism, and extremist insurgencies.  Beyond face-to-face communication, this book also addresses the role of new and social media in the creation and spread of rumors. Its concern is to foster a more sophisticated understanding of how oral and digital cultures work alongside economic, diplomatic, and cultural factors that influence the struggles between states and non-state actors in the proverbial battle of hearts and minds.  By providing fresh data from Singapore, Iraq, and Indonesia, the authors make a compelling argument for understanding rumors in these contexts as “narrative IEDs”, weapons that can aid the extremist cause.

In The Rise of Spanish-Language Filmmaking, Lisa Jarvinen focuses specifically on how Hollywood lost a lucrative international Spanish-speaking audience between 1929 and 1939, along with talent it had carefully nurtured in the United States. Employing studio records from Warner Bros., Fox Films, and United Artists, Jarvinen examines the lasting effects of the transition to sound on both Hollywood practices and cultural politics in the Spanish-speaking world. Using case studies based on archival research in the United States, Spain, and Mexico, she shows how language, as a key marker of cultural identity, led to new expectations from audiences and new possibilities for film producers.

In The Rise of Spanish-Language Filmmaking, Lisa Jarvinen focuses specifically on how Hollywood lost a lucrative international Spanish-speaking audience between 1929 and 1939, along with talent it had carefully nurtured in the United States. Employing studio records from Warner Bros., Fox Films, and United Artists, Jarvinen examines the lasting effects of the transition to sound on both Hollywood practices and cultural politics in the Spanish-speaking world. Using case studies based on archival research in the United States, Spain, and Mexico, she shows how language, as a key marker of cultural identity, led to new expectations from audiences and new possibilities for film producers.

In Main Street and Empire, Ryan Poll argues that the small town, as evoked by the image of “Main Street,” is not a relic of the past but rather a metaphorical screen upon which the nation’s “everyday” stories and subjects are projected on both a national and global level. It brings together a wide range of literary, cultural, and political texts to examine how the small town is used to imagine and reproduce the nation throughout the twentieth- and into the twenty-first century.