Dying Green considers the environmental costs of common healthcare practices, raising an urgent question: in striving to improve the health outcomes of individual patients, are we damaging human health on a global scale? Offering a comparative analysis of the care provided to terminally ill patients in different settings, it envisions a more sustainable approach to healthcare. 

Caribes 2.0 looks at the Caribbean mediasphere in the twenty-first century. It argues that we have seen a return to tropes such as blackface, cultural and ethnic stereotypes, and violent representations of the marginalized. The booklooks at these tropes and the work of Caribbean media figures and examines how they are challenging and negotiating these media representations.

This book explores the shifts that took place in Denmark around the millennium, when health promoters set out to minimize delays in cancer diagnoses in hope of improving cancer survival. Through rich ethnographic cases on the first cancer vaccine, cancer signs and symptoms, social class and care seeking, public discourses on delays, cancer suspicion in the clinic, and fast-track referral the authors situate cancer control in an ethical registrar involving attention to acceleration and time.

This book explores the shifts that took place in Denmark around the millennium, when health promoters set out to minimize delays in cancer diagnoses in hope of improving cancer survival. Through rich ethnographic cases on the first cancer vaccine, cancer signs and symptoms, social class and care seeking, public discourses on delays, cancer suspicion in the clinic, and fast-track referral the authors situate cancer control in an ethical registrar involving attention to acceleration and time.

Hero Me Not is the first academic study devoted to the superhero Storm and what she means to Black female comics fans. It examines how she is represented as racially exotic yet combines stereotypes of the Mammy and Magical Negro, almost always deploying her immense powers in the service of White characters.  

When Are You Coming Home? answers questions about how young children cope when parents go to jail. Told through the real stories of children, caregivers, and parents navigating parental incarceration, this book delves into the nuances that comprise children’s well-being and family relationships. In doing so, it calls out contextual vulnerabilities while emphasizing resilience processes that shape how children make sense of being separated from parents and await their likely reunification.
 

In Unequal Choices, Yang Va Lor examines the college application choices of high-achieving students, looking closely at the ways the larger contexts of family, school, and community influence their decisions. Where students submit college applications are shaped not only by access to information but also the context in which such information is received and the life experiences students draw upon to make sense of higher education.

The Synchronized Society traces the history of the synchronous broadcast experience of the twentieth century and the transition to the asynchronous media that dominate in the twenty-first century, with particular attention to the rise and fall of the schedule and the “water cooler” conversations that accompanied it.

Most of the roughly 140,000 Holocaust survivors who came to the United States in the first decade after World War II settled in big cities such as New York. But a few thousand chose an alternative way of life on American farms. More of these accidental farmers wound up raising chickens in southern New Jersey than anywhere else. Speaking Yiddish to Chickens is the first book to chronicle this little-known chapter in American Jewish history when these mostly Eastern European refugees – including the author’s grandparents - found an unlikely refuge and gateway to new lives in the US on poultry farms. They gravitated to a section of south Jersey anchored by Vineland, a small rural city where previous waves of Jewish immigrants had built a rich network of cultural and religious institutions. This book relies on interviews with dozens of these refugee farmers and their children, as well as oral histories and archival records to tell how they learned to farm while coping with unimaginable grief. This is their remarkable story of loss, renewal, and perseverance in the most unexpected of settings.