The sixth title in the Rutgers Film in Print Series and the first Japanese film, this volume brings together for the first time the full continuity script of Rashomon; an introductory essay by Donald Richie; the Akutagawa stories upon which the film is based; critical reviews and commentaries on the film; a filmography; and a bibliography. 

"[One] of the leading realist painters of the period to make his home... [in the Fort Lee area]... was George Overbury "Pop" Hart. Within a realistic, sometimes reportorial style, Hart was perhaps America's finest watercolorist, investigating life all over the world... as well as different parts of the United States - in a dashing style combining brilliant draftsmanship with broad, free-flowing washes of color."
-- William H. Gerdts, Painting and Sculpture in New Jersey

Succinctly traces the Byzantine Empire's thousand-year course with emphasis on political development and social, aesthetic, economic and ecclesiastical factors

Fanny Fern was one of the most popular American writers of the mid-nineteenth century, the first woman newspaper columnist in the United States, and the most highly paid newspaper writer of her day. This volume gathers together for the first time almost one hundred selections of her best work as a journalist. Writing on such taboo subjects as prostitution, venereal disease, divorce, and birth control, Fern stripped the façade of convention from some of society's most sacred institutions, targeting cant and hypocrisy, pretentiousness and pomp.

This anthology of fiction by Rose Terry Cooke contains eleven stories, drawn together for the first time in one volume, that reflect the whole spectrum of Cooke's career from the 1850s to the 1890s. It restores to American literature the work of a writer highly admired in her own day and increasingly recognized today as an important figure in the development of realism, the evolution of regionalism as a literary form, and the emergence of women writers in nineteenth-century fiction.

Hobomok, A Tale of Early Times is the provocative story of an upperclass white woman who marries an Indian chief, has a child, then leaves him-with the child-for another man. This novel, originally published in 1824, is a powerful first among antipatriarchal and antiracist novels in American listerature. In addition, this collection contains seven remarkable short stores; an extract on Indian women from Child's groundbreaking History of the Condition of Women in Various Ages and Nations (1835); a selection from her best-selling volume of journalistic sketches, Letters from New-York (1843); and her eloquent Appeal for Indians (1868). This revised edition of "Hobomok" and Other Writings on Indians includes three new stories-"The Church in the Wilderness," "Willie Wharton." And "The Indians"-As well as explanatory notes and an updated bibliography.

Nella Larsen's novels Quicksand (1928) and Passing (1929) document the historical realities of Harlem in the 1920s and shed a bright light on the social world of the black bourgeoisie. The novels' greatest appeal and achievement, however, is not sociological, but psychological. As noted in the editor's comprehensive introduction, Larsen takes the theme of psychic dualism, so popular in Harlem Renaissance fiction, to a higher and more complex level, displaying a sophisticated understanding and penetrating analysis of black female psychology.