Showing 2,441-2,450 of 2,645 items.

Aristotle's Physics

A Guided Study

By Joe Sachs and Aristotle; Translated by Joe Sachs
Rutgers University Press

Aristotle's Physics is one of the least studied "great books"--physics has come to mean something entirely different than Aristotle's inquiry into nature, and stereotyped Medieval interpretations have buried the original text. Sach's translation is really the only one that I know of that attempts to take the reader back to the text itself. -- Leon Cass, University of Chicago

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Frauen

German Women Recall the Third Reich

Rutgers University Press

What were the women of Germany doing during the Third Reich? What were they thinking? And what do they have to say a half century later?

In Frauen we hear their voices––most for the first time. Alison Owings interviewed and here records the words of twenty-nine German women who were there: Working for the Resistance. Joining the Nazi Party. Outsmarting the Gestapo. Disliking a Jewish neighbor. Hiding a Jewish friend. Witnessing "Kristallnacht." Witnessing the firebombing of Dresden. Shooting at Allied planes. Welcoming Allied troops. Being a prisoner. And being a guard. The women recall their own and others' enthusiasm, doubt, fear, fury, cowardice, guilt, and anguish.

Alison Owings, in her pursuit of such memories, was invited into the homes of these women. Because she is neither Jewish nor German, and because she speaks fluent colloquial German, many of the women she interviewed felt comfortable enough with her to unlock the past. What they have to say will surprise Americans, just as they surprised the women themselves.

Not since Marcel Ophuls's controversial film The Sorrow and the Pity have we been on such intimate terms with "the enemy." In this case, the story is that of the women, those who did not make policy but were forced to participate in its effects and to witness its results. What they did and did not do is not just a reflection on them and their country––it also leads us to question what actions we might have taken in their place. The interviews do not allow for easy, smug answers.


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Future Perfect

American Science Fiction of the Nineteenth Century: An Anthology

Rutgers University Press

This selection of unusual storeis by important American writers-Hawthorne, Melville, Poe, Bellamy and Twain-and by less well-known tellers such as Ambrose Bierce, S. Weir Mitchell and Fitz-James O'Brien, challenges the commonly held belief that science fiction is a twenthiethcentury phenomenon, or that it began with Jule Verne and H,. G. Wells. Here are tales of marvelous inventions, automanta, biolgocial and psychological experiments, utopias, extra-sensory perception and time and space travel. Many of them have been out of print since before World War I, but they remain high in intrinsic interest of the general reader and for the specialist.

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Viewing Positions

Ways of Seeing Film

Edited by Linda Williams
Rutgers University Press

The essays in this volume represent some of the best new thinking about the crucial relations between visual representation in film and human subjectivity. No amount of empirical research into the sociology of actual audiences will displace the desire to speculate about the effects of visual culture, and especially moving images, on viewing subjects. These notions of spectatorship, however hypothetical, become extremely compelling metaphors for the workings of vision within the institution of cinema. Viewing Positions examines the tradition of a centered, unitary, distanced, and objectifying spectator's gaze; investigates the period when film spectatorship as an idea began; and analyses gender- and sexuality-based challenges to the homogeneous classical theory of spectatorship. It makes available critical understandings of spectatorship that have, until now, largely eluded cinema studies.

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Liberating Memory

Our Work and Our Working-Class Consciousness

Edited by Janet Zandy
Rutgers University Press

This is a book about working-class identity, consciousness, and self-determination. It offers an alternative to middle-class assimilation and working-class amnesia. The twenty-five contributors use memory--both personal and collective--to show the relationship between the uncertain economic rhythms of working-class life and the possibilities for cultural and political agency. Manual labor and intellectual work are connected in these multicultural autobiographies of writers, educators, artists, political activists, musicians, and photographers and in the cultural work--the poems, stories, photographs, lectures, music--they produce. The consciousness that is revealed in this book makes evident the value of class identity to collective, democratic struggle. 

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Babies In Bottles

Rutgers University Press

There is a forgotten history to our current debates over reproductive technology - one interweaving literature and science, profoundly gendered, filled with choices and struggles. We pay a price when we accept modern reproductive technology as a scientific breakthrough without a past. Babies in Bottles retrieves some of that history by analyzing the literary and popular science writings of Julian Huxley, J.B.S. Haldane, Charlotte Haldane, Aldous Huxley, and Naomi Mitchison - writings that include representations of reproductive technology from babies in bottles to surrogate mothers.

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Race

Rutgers University Press

 Drawing on anthropology, history, sociology, ethnic studies, and women's studies, this volume explores the role of race in a variety of cultural and historical contexts. The contributors show how racial ideologies intersect with gender, class, nation and sexuality in the formation of complex social identities and hierarchies. The essays address such topics as race and Egyptian nationalism, the construction of “whiteness” in the United States, and the transformation of racial categories in post-colonial Haiti. They demonstrate how social elites and members of subordinated groups construct and rework racial meanings and identities within the context of global political, economic, and cultural change. Race provides a comprehensive and empirically grounded survey of contemporary theoretical approaches to studying the complex interplay of race, power, and identity.

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'Where Are You Going, Where Have You Been?'

Joyce Carol Oates

Rutgers University Press

Joyce Carol Oates’s prize-winning story “Where Are You Going, Where Have You Been?” takes up troubling subjects that continue to occupy her in her fiction: the romantic longings and limited options of adolescent women; the tensions between mothers and daughters; the sexual victimization of women; and the American obsession with violence.  Inspired by a magazine story about a serial killer, its remarkable portrait of the dreamy teenager Connie has made it a feminist classic.  Connie’s life anticipates the emergence of American society from the social innocence of the fifties into the harsher contemporary realities of war, random violence, and crime. 

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The Lindbergh Case

A Story of Two Lives

Rutgers University Press

"If I had only one book to read on the Lindbergh case I should . . . choose Fisher's. It is balanced, impartial, and contains much material not to be found elsewhere."--Francis Russell, The New York Review of Books "Fisher . . . goes against the revisionist tide and argues strongly--and persuasively--for Hauptmann's guilt . . . a compelling book."--Patrick Reardon, Chicago Tribune "A good real-life crime yarn."--Kirkus Reviews "A riveting book."--Harry Sayen, The Times, Trenton "A real detective story."--Sylvia Sachs, The Pittsburgh Press "One cannot help getting caught up in the search for the child, then in the search for justice. These events resonate more than 50 years after they occurred."--John Katzenback, The New York Times Book Review "Fisher thoroughly covers the case, from the night the baby was taken from his home in Hopewell, NJ, on March 1, 1932, to Hauptmann's execution on April 3, 1936 . . . a convincing case."--Publishers Weekly "A grimly fascinating account of the kidnapping and murder of Charles A. Lindbergh, Jr., son of the world-famous aviator."--The Columbus Dispatch "A richly detailed, engrossing, and well-written history of the kidnapping saga. . . . may well become the definitive work on the subject."

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The Cinema of Isolation

A History of Physical Disability in the Movies

Rutgers University Press

Filmmakers have often encouraged us to regard people with physical disabilities in terms of pity, awe, humor, or fear as "Others" who somehow deserve to be isolated from the rest of society. In this first history of the portrayal of physical disability in the movies, Martin Norden examines hundreds of Hollywood movies (and notable international ones), finds their place within mainstream society, and uncovers the movie industry's practices for maintaining the status quo--keeping people with disabilities dependent and "in their place."

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