"Sweat"
Written by Zora Neale Hurston
Now frequently anthologized, Zora Neale Hurston's short story "Sweat" was first published in Firell, a legendary literary magazine of the Harlem Renaissance, whose sole issue appeared in November 1926. Among contributions by Gwendolyn Bennett, Countee Cullen, Langston Hughes, and Wallace Thurman, "Sweat" stood out both for its artistic accomplishment and its exploration of rural Southern black life. In "Sweat" Hurston claimed the voice that animates her mature fiction, notably the 1937 novel Their Eyes Were Watching God; the themes of marital conflict and the development of spiritual consciousness were introduced as well. "Sweat" exemplifies Hurston's lifelong concern with women's relation to language and the literary possibilities of black vernacular.
The Fifties Spiritual Marketplace
American Religion in a Decade of Conflict
A companion to his Sixties Spiritual Awakening, Ellwood explores the major Catholic-Protestant tensions of the decade, the conflict between theology and popular faith, and the underground forms of fifties religiosity like "Beat" Zen, UFO contactees, Thomas Merton monasticism, and the Joseph Campbell / Carl Jung revival of mythology. Ellwood frames his detailed and lively account with the provocative idea of the fifties as a "supply-side" free enterprise spiritual marketplace, with heady competition between religious groups and leaders, and with church attendance at a record high.
In addition to challenging an idealistic fifties cultural milieu, the book analyzes American religious responses to key historical events like the Korean War, McCarthyism, and the civil rights movement, turning a religious lens on the cultural history of the United States.
Maxwell on the Electromagnetic Field
A Guided Study
Framing Silence
Revolutionary Novels by Haitian Women
In this first book-length study in English devoted exclusively to Haitian women's literature, Myriam Chancy finds that Haitian women have their own history, traditions, and stories to tell, tales that they are unwilling to suppress or subordinate to narratives of national autonomy. Issues of race, class, color, caste, nationality, and sexuality are all central to their fiction--as is an urgent sense of the historical place of women between the two U.S. occupations of the country. Their novels interrogate women's social and political stance in Haiti from an explicitly female point of view, forcefully responding to overt sexual and political violence within the nation's ambivalent political climate.
Fields of Play
Constructing an Academic Life
Visions of the East
Orientalism in Film
Scribbling Women
Short Stories by 19th-Century American Women
Borrowed Power
Essays on Cultural Appropriation
10 Geographic Ideas That Changed the World
Daughter of the Vine
A Vintner's Tale
Buy land, girl, buy land. You will never go hungry if you have land, advised Mimi LaFollette Summerskill's grandfather. So she and her husband John purchased a 30Ðacre farm just north of Princeton, New Jersey. After an initial try at cattle farming, the novice farmers decided to try their hands at wine making. Literally. In the spring of 1979, the family planted 2,000 Seyval Blanc seedlings. After months of research, soil testing, charting weather patterns, pruning, fertilizing, picking, pressing, filtering, bottling, and labeling, the LaFollette Vineyard and Winery was born.