“Supermax” prisons are typically reserved for convicted political criminals such as terrorists and spies and for other inmates who are considered to pose a serious ongoing threat to the wider community, to the security of correctional institutions, or to the safety of the people within. The Globalization of Supermax Prisons examines why nine prominent advanced industrialized countries have adopted the supermax prototype, paying particular attention to the economic, social, and political processes that have affected each nation.

Shaky Foundations provides the first extensive examination of a new patronage system for the social sciences that emerged in the early Cold War years and took more definite shape during the 1950s and early 1960s. Focusing on the defense department, the Ford Foundation, and the National Science Foundation, Mark Solovey explores the struggles of these various funders to define what counted as legitimate social science and how their policies and programs helped to shape the goals, subject matter, methodologies, and social implications of academic social research in the nuclear age.    

This ethnographic text brings to light the challenges and complexities inherent in the U.S. system of juvenile corrections. Building on over a year of field work at a boys’ residential facility, the authors provide a context for contemporary institutions and highlight some of the system’s most troubling tensions. The book provides narratives, observations, case examples, and recommendations for rehabilitating the system. A detailed appendix on conducting field research is useful for individuals in the social sciences and helping professions.

The Story of N analyzes the notion of sustainability from a fresh perspective, the integration of human activities with the biogeochemical cycling of nitrogen, and provides a supportive alternative to studying sustainability through the lens of climate change and the cycling of carbon. It is the first book to examine the social processes by which industrial societies learned to bypass a fundamental ecological limit and, later, began addressing the resulting concerns by establishing limits of their own.

Land of Smoke and Mirrors looks at greater Los Angeles through the images projected from within and without its geographical and psychological borders. Divided into sections that probe the city’s checkered history and reflect on Hollywood’s own self reflections, the book offers revealing readings of different types of texts (novelistic, cinematic, event-related, and geographical) to expose how Los Angeles, despite considerable remaining challenges, is blowing away some of the smoke of its not always proud past and rhetorically adjusting its rear-view mirrors.

Land of Smoke and Mirrors looks at greater Los Angeles through the images projected from within and without its geographical and psychological borders. Divided into sections that probe the city’s checkered history and reflect on Hollywood’s own self reflections, the book offers revealing readings of different types of texts (novelistic, cinematic, event-related, and geographical) to expose how Los Angeles, despite considerable remaining challenges, is blowing away some of the smoke of its not always proud past and rhetorically adjusting its rear-view mirrors.

Women on Ice is the first book to study exclusively the lives of women who use methamphetamine (ice, speed, crystal, shards) and the effects of its use on their families. In-depth interviews with women in the suburban counties of one of the largest metropolitan areas in the U.S. chronicle the details of their initiation into methamphetamine, the turning points into problematic drug use, and, for a few, their escape from lives veering out of control.

Body Double explores the myriad ways that artists and the creative process have been represented on screen. Through the exploration of many distinct forms of cinema, Lucy Fischer examines such topics as the gender, age, and mental or physical health of fictionalized artists; the dramatized interaction between artists, audiences, and critics; and the formal play of written words and nonverbal images.

Unbecoming Americans identifies a canon of writers who, during the years after World War II, explored forms of belonging in the world outside the domain of modern citizenship. It examines works by C.L.R. James, Richard Wright, Claudia Jones, and Carlos Bulos that show how these writers employed aesthetic alternative forms to the novel, including memoir, cultural criticism, and travel narrative, to contest prevailing notions of race, nation, and citizenship.