Dangerous by Degrees vividly describes and analyzes women's experience at Oxford shortly before and after the First World War. The Somerville experience, in its simultaneous rejection and embrace of women's traditional place, stands as a prototype of the ambivalent, confusing, and conflicted stories which the women who lived that experience subsequently tell in their fictions.

Coming of Age is about college as students really know it and--often--love it. To write this remarkable account, Michael Moffatt did what anthropologists usually do in more distant cultures: he lived among the natives. His findings are sometimes disturbing, potentially controversial, but somehow very believable. Coming of Age is a vivid slice of life of what Moffatt saw and heard in the dorms of a typical state university, Rutgers, in the 1980s. It is full of student voices: naive and worldy-wise, vulgar and polite, cynical, humorous, and sometimes even idealistic. But it is also about American culture more generally: individualism, friendship, community, bureaucracy, diversity, race, sex, gender, intellect, work, and play. As an example of an ethnography written about an anthropologist's own culture, this book is an uncommon one. As a new and revealing perspective on the much-studied American college student, it is unique.

Originally published in 1982, Wini Breines's classic work now includes a new preface in which she reassesses, and for the most part affirms, her initial views of the movement. She argues that the movement remains effective in the midst of radical changes in activist movements. Breines also summarizes and evaluates the new and growing scholarship on the 1960s. Her provocative analysis of the New Left remains important today.

This volume offers a complete continuity script of Chimes at Midnight (1996), including its famous battle sequence. Each shot is described in detail and is keyed to the original Shakespearian sources, thus making the volume an invaluable guide to Welles as an adaptor and creator of texts. The first complete transcription of the continuity script of Chimes is accompanied by the editor's critical introduction on Welles's transformation of Shakespeare; a special interview with Keith Baxter, one of the film's principal actors, which discusses its production history; reviews and articles; and a biographical sketch of Welles, a filmography, and a bibliography.

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Bringing Up Baby (1938) is the essence of thirties screwball comedy. It is also quintessential Howard Hawks, treating many of the director's favorite themes, particularly the loving war between the sexes. Bringing Up Baby features Katharine Hepburn as a flaky heiress and Cary Grant as an absentminded paleontologist, roles in which they come into their own as stars and deliver particularly fine comic performances. Pauline Kael has called the film the "American movies' closest equivalent to Restoration comedy." The comparison is based on the quick repartee and witty dialogue, a hallmark of Hawks's work and well conveyed here by Gerald Mast's transcription from the screen.

The Lamplighter was the first novel by twenty-seven-year-old Maria Susanna Cummins. It propelled her into a prominence that continued until her early death at the age of thirty-nine. A novel of female development, The Lamplighter is a woman's version of the quest story. Its heroine, Gerty, comes on the scene as a child abandoned in the slums of Boston. Rescued by the kindly lamplighter Trueman Flint, she learns to meet life with courage and honesty. The novel touched the hearts, validated the ideals, and assuaged the anxieties of a huge readership, and it remained continuously in print until the 1920s.

Focusing on a variety of criminal activities, the author applies his structural criminology to the relationships of power which operate in a range of institutional spheres. He looks at the relationship between class and criminality, showing the inadequacy of a simple causal link and discussing the prevalence of "white collar" crime. 

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"One of the more provocative studies of why middle America is making increasing use of ritual healing and what that choice tells us of problems with biomedical care in technological institutions. . . . A welcome addition to anthropological studies of ritual healing in other societies, and it illuminates a huge component of our health care system that is poorly understood."--Arthur Kleinman, M.D., Harvard University "An all too rare volume, namely a scholarly work on the practice of healing in suburban or what we might call middle-class America. McGuire, perhaps uniquely, has set out the religious or 'ritual' healing beliefs and practices that are usually strictly segregated and kept apart. . . . Anyone who takes seriously the need to understand 'healing' . . . should obtain this book."--Health and Healing "The power of the book is in the larger cultural analysis it offers . . . a valuable contribution to medical sociology."--Sociological Analysis "This welcome study of nonmedical healing among upper-middle-class and middle-class persons in Essex County, New Jersey, clearly shows how individuals become attracted to and influenced by alternative healing techniques."--Choice "Develops an innovative sociological approach to the study of alternative healing practices through a methodologically sound qualitative study. . . . The high quality of research and conceptualization and the meticulous documentation of the relevant literature make [this book] essential reading for those interested in the sociology and anthropology of religion and of medicine, and in the study of health and illness in contemporary America."--Contemporary Sociology "A major contribution."--The Christian Century "The remarkable strength of this book about the exotic in the commonplace is that it demonstrates both that ritual healing is widespread in the heartland of medical technology, and that the wide variety of ritual healing practices are based on similar structures."--Culture, Medicine, and Psychiatry

Ethnography of Inuit adolescence describing the life of young people between the ages of 9 and 20 in the community of Holman Island, NWT. Describes the day-to-day activities of Inuit youth, their time playing sports and games, attending school, engaging in sexual play, simply "hanging out" with friends and peers

E.D.E.N. Southworth was one of the most popular and prolific writers of the nineteenth century and her Capitola Black, or Black Cap - a cross-dressing, adventure-seeking girl-woman - was so well-loved that the book was serialized three times between 1859 and 1888 and was dramatized in forty different versions.  There are bandits, true-loves, evil men, long-lost mothers, and sweet women friends in Capitola's future - not to mention thunder storms, kidnap attempts, and duels. The pace is fast, the action wonderfully unbelievable. This is escape literature at its nineteenth-century best, with a woman at its center who makes you feel strong, daring, and reckless.

This analysis of female adolescence in an Australian Aboriginal community focuses on adolescent sexual behavior, marriage, and the conflict between adult expectations and adolescent behavior in these domains.

Throughout the 1920s, in tents, theaters, dance halls and cabarets, and on "race" records, black American women captivated large audiences with their singing of the blues. University of Maryland professor Harrison examines the subjects and texts of their songs, the toll these performers paid for their right to be heard, and what they did to transform a folk tradition into a popular art. She describes the singing and lifestyles of Sippie Wallace, Victoria Spivey, Edith Wilson and Alberta Hunter to illustrate how they introduced a new model of the black woman: assertive and sexy, gutsy yet tender, bereft but not downtrodden, exploited but not resentful, independent yet vulnerable. The author shows that their choice of performing style, inflection, emphasis and improvisation provided a perspective and expressiveness that profoundly affected later American popular music. -- Publishers Weekly

The discovery in recent years of Louisa May Alcott's pseudonymous sensation stories has made readers and scholars increasingly aware of her accomplishments beyond her most famous novel, Little Women, one of the great international best-sellers of all time. This anthology brings together for the first time a variety of Louisa May Alcott's journalistic, satiric, feminist, and sensation texts. Elaine Showalter has provided an excellent introduction and notes to the collection.

Breathless, a low-budget film, came to be regarded as one of the major accomplishments of the French New Wave cinema of the early sixties. It had a tremendous influence on French filmmakers and on world cinema in general. Beyond its significance in film history, it was also a film of considerable cultural impact. In Breathless, Jean-Luc Godard captured the spirit of a disillusioned generation and fashioned a style, which drew on the past, to parade that disillusionment.