Showing 1,161-1,170 of 2,619 items.

Shaky Foundations

The Politics-Patronage-Social Science Nexus in Cold War America

Rutgers University Press

Shaky Foundations provides the first extensive examination of a new patronage system for the social sciences that emerged in the early Cold War years and took more definite shape during the 1950s and early 1960s. Focusing on the defense department, the Ford Foundation, and the National Science Foundation, Mark Solovey explores the struggles of these various funders to define what counted as legitimate social science and how their policies and programs helped to shape the goals, subject matter, methodologies, and social implications of academic social research in the nuclear age.    

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Torture Porn in the Wake of 9/11

Horror, Exploitation, and the Cinema of Sensation

Rutgers University Press

Torture Porn in the Wake of 9/11 challenges the conventional wisdom about horror movies like Hostel and the Saw series. Aaron Kerner argues that, even as these films express anxieties and sadistic fantasies that have emerged from the War on Terror, they are rooted in a much longer tradition of American violence. He also reveals how the “torture porn” aesthetic has gone mainstream, popping up in everything from the television thriller Dexter to the reality show Hell’s Kitchen
 

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Film Criticism in the Digital Age

Rutgers University Press

Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the critic’s status and purpose. In Film Criticism in the Digital Age, ten scholars from across the globe, as well as critics and bloggers, come together to consider whether we are witnessing the extinction of serious film criticism or seeing the seeds of its rebirth in a new form.
 

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Film Criticism in the Digital Age

Rutgers University Press

Now that well-paying jobs in film criticism have largely evaporated, while blogs, message boards, and social media have given new meaning to the saying that “everyone’s a critic,” urgent questions have emerged about the critic’s status and purpose. In Film Criticism in the Digital Age, ten scholars from across the globe, as well as critics and bloggers, come together to consider whether we are witnessing the extinction of serious film criticism or seeing the seeds of its rebirth in a new form.
 

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Testing for Athlete Citizenship

Regulating Doping and Sex in Sport

Rutgers University Press

Incidents of doping in sports are common in news headlines, despite regulatory efforts. How did doping become a crisis? What does a doping violation actually entail? Who gets punished for breaking the rules of fair play? In Testing for Athlete Citizenship, Kathryn E. Henne, a former competitive athlete and expert in the law and science of anti-doping regulations, examines the development of sports governance aimed at controlling performance enhancement in international sports.
 

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Techno-Orientalism

Imagining Asia in Speculative Fiction, History, and Media

Rutgers University Press

To judge from many speculative fiction films and books, the future will be full of cities that resemble Tokyo, Hong Kong, and Shanghai, and it will be populated mainly by cold, unfeeling citizens who act like robots. Techno-Orientalism investigates the phenomenon of imagining Asia and Asians in hypo- or hyper-technological terms in literary, cinematic, and new media representations, while critically examining the stereotype of Asians as both technologically advanced and intellectually primitive, in dire need of Western consciousness-raising. 
 

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Techno-Orientalism

Imagining Asia in Speculative Fiction, History, and Media

Rutgers University Press

To judge from many speculative fiction films and books, the future will be full of cities that resemble Tokyo, Hong Kong, and Shanghai, and it will be populated mainly by cold, unfeeling citizens who act like robots. Techno-Orientalism investigates the phenomenon of imagining Asia and Asians in hypo- or hyper-technological terms in literary, cinematic, and new media representations, while critically examining the stereotype of Asians as both technologically advanced and intellectually primitive, in dire need of Western consciousness-raising. 
 

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The Cool and the Crazy

Pop Fifties Cinema

Rutgers University Press

In the 1950s, Hollywood made a variety of sensational movies meant to capitalize upon current events, moral panics, and popular fads. The Cool and the Crazy examines seven of the decade’s key film cycles, including short-lived trends like boxing and juvenile delinquency movies, as well as uniquely ‘50s takes on established genres like the Western.  Delivering sharp critical insights in jazzy, accessible prose, Peter Stanfield offers an appreciation of cinema as a “pop” medium, unabashedly derivative, faddish, and ephemeral.

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The Holocaust Averted

An Alternate History of American Jewry, 1938-1967

Rutgers University Press

In The Holocaust Averted: An Alternate History of American Jewry, 1938–1967, Jeffrey Gurock imagines what might have happened to the Jewish community in the United States if the Holocaust had never occurred and challenges readers to contemplate how the road to acceptance and empowerment for today’s American Jews would have been harder than it actually was. As Gurock tells his tale, he concludes every chapter with a short section that describes what actually happened and, thus, further educates the reader.
 

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Indian Spectacle

College Mascots and the Anxiety of Modern America

Rutgers University Press

Indian Spectacle explores the ways in which white, middle-class Americans have consumed narratives of masculinity, race, and collegiate athletics through the lens of Indian-themed athletic identities, mascots, and music. Drawing on a cross-section of American institutions of higher education, Guiliano investigates the role of sports mascots in the big business of twentieth-century American college football in order to connect mascotry to expressions of community identity, individual belonging, stereotyped imagery, and cultural hegemony.  

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