During the nineteenth century, the content and institutional organization of the sciences evolved dramatically, altering the public's understanding of knowledge. As science grew in importance, many women of letters tried to incorporate it into a female worldview. Nina Baym explores the responses to science displayed in a range of writings by American women. Conceding that they could not become scientists, women insisted, however, that they were capable of understanding science and participating in its discourse. They used their access to publishing to advocate the study and transmission of scientific information to the general public.

Contemporary feminist scholarship has done much to challenge the many binary constructions at the heart of Western culture: white/nonwhite, theory/practice, and, most notably, masculine/feminine. Feminist criticism has reshaped these conceptions by breaking them apart and reconfiguring them into intersecting, relational fields of difference. The contributors to this collection look to the future of feminist theory and practice, specifically in terms of their complex relationship with the global and local configurations of postmodernity.

The American criminal justice system contains numerous safeguards to prevent the conviction of innocent persons. The Bill of Rights provides nineteen separate rights for the alleged criminal offender. Despite these safeguards, wrongful convictions persist, and the issue has reverberated in the national debate over capital punishment. The essays in this volume are written from a cross-disciplinary perspective by some of the most eminent lawyers, criminologists, and social scientists in the field today. The most important single characteristic among wrongful conviction cases, the contributors argue, is chronic denial of the existence of a problem by politicians and prosecutors and their failure to act decisively when evidence of a possible wrongful conviction comes to light.

How do women artists in Russia, Estonia, and Latvia view themselves in the post-Soviet era? What is their relationship to feminism and how has that relationship changed following the fall of the Soviet regime?

Having conducted over sixty interviews between 1995 and 1998, Renee Baigell and Matthew Baigell explore in this volume these women’s seemingly second-class status, the difficulties of pursuing an art career in a male-dominated society, and the attitudes—often hostile—of their male counterparts toward feminist concerns.