Showing 1,001-1,010 of 2,619 items.
Republic on the Wire
Cable Television, Pluralism, and the Politics of New Technologies, 1948-1984
Rutgers University Press
The history of cable television in America is far older than MTV, ESPN, and HBO. Tracing the origins of cable back to the late 1940s, media scholar John McMurria also locates the roots of many current debates about premium television, taste hierarchies, minority programming, content restriction, and corporate ownership. Drawing from rare archives, Republic on the Wire reconstructs the pivotal moments when elite policymakers and disenfranchised viewers clashed over the future of cable television and the meaning of American democracy.
College in Prison
Reading in an Age of Mass Incarceration
Rutgers University Press
This book tells the story of the Bard Prison Initiative—a unique example of academic excellence achieved inside high-security prisons across New York State. The rigor of how students learn, and the careers they go on to pursue once released, force us to rethink our beliefs about who is in prison, reimagine the way forward out of mass incarceration, and renew our faith in the relevance of liberal learning.
U.S. Women's History
Untangling the Threads of Sisterhood
Edited by Leslie Brown, Jacqueline Castledine, and Anne Valk; Foreword by Deborah Gray White; Preface by Nancy A. Hewitt
Rutgers University Press
Spanning the antebellum era to the present day, the ten original essays in U.S. Women's History represent a cross-section of current scholarship, examining both the causes that have united American women and the conflicts that have divided them. The book offers a fresh take on familiar events and figures, from Rosa Parks to Take Back the Night marches, while vividly conveying the multi-textured and multi-hued tapestry that is U.S. women’s history.
Redefining Japaneseness
Japanese Americans in the Ancestral Homeland
Rutgers University Press
Redefining Japaneseness chronicles how Japanese American migrants to Japan experience both racial inclusion and cultural dislocation while negotiating between the categories of Japanese and “foreigner.” Drawing from extensive observations and interviews with Japanese Americans who are geographically, culturally, and linguistically diverse, Jane H. Yamashiro reveals wide variations in how Japanese Americans perceive both Japaneseness and Americanness. Her findings have major implications for both Asian American studies and scholarship on transnational migration and global diasporic identity.
Clinical Trials in Ovarian Cancer
Rutgers University Press, Rutgers University Press Medicine
The first book to collect and synthesize cutting-edge research findings on the treatment of gynecological malignancies into one easy-to-use reference, Clinical Trials in Ovarian Cancer provides physicians with an invaluable resource. Gynecologic oncologist Christine S. Walsh systematically outlines each of the seminal Phase III trials that have shaped the treatment of ovarian cancers, detailing the rationale for the trial, the patient population studied, treatment delivery methods, efficacy, toxicity, and trial conclusions.
Jew
Rutgers University Press
This book offers a wide-ranging exploration of the key word Jew—charting the past meanings, present usages, and possible futures of a term that lies not only at the heart of Jewish experience, but at the core of how Western civilization has imagined the Other. Tracing the word’s evolution, Cynthia M. Baker also interrogates the contested categories of “ethnicity,” “race,” and “religion,” while providing a glimpse of what Jew is coming to mean in an era of Internet cultures, genetic sequencing, and uncertain identities.
Selling Women's History
Packaging Feminism in Twentieth-Century American Popular Culture
Rutgers University Press
Assessing a dazzling array of media from the 1900s to the 1970s, including advertisements, films, magazines, and greeting cards, Selling Women’s History reveals how popular culture helped teach Americans about the accomplishments of their foremothers. Emily Westkaemper examines how Madison Avenue co-opted women’s history, using it to sell everything from Betsy Ross Red lipstick to Virginia Slims cigarettes. But she also shows how pioneering adwomen and female historians used consumer culture to publicize histories ignored elsewhere. Their feminist work challenged sexist assumptions about women’s subordinate roles.
Nursing with a Message
Public Health Demonstration Projects in New York City
Rutgers University Press
Nursing with a Message transports readers to New York City in the 1920s and 1930s, charting the rise and fall of two community health centers. Patricia D’Antonio examines the day-to-day operations of these clinics, as well as the community outreach work done by nurses who visited schools, churches, and homes. Assessing both the successes and failures of these public health projects, she also traces their legacy in shaping both the best and worst elements of today’s primary care system.
Movie Comics
Page to Screen/Screen to Page
By Blair Davis
Rutgers University Press
Movie Comics is the first book to study the long history of comics-to-film and film-to-comics adaptations, covering everything from silent films starring Happy Hooligan to sound films and serials featuring Dick Tracy and Superman to comic books starring John Wayne and Bob Hope. Blair Davis tracks the artistic coevolution of films and comics, investigates how the film and comics industries joined forces to expand the reach of their various brands, and contemplates our abiding desire to experience the same characters and stories in multiple forms.
Sociology on Film
Postwar Hollywood's Prestige Commodity
By Chris Cagle
Rutgers University Press
After World War II, Hollywood’s “social problem films”—tackling topical issues that included racism, crime, mental illness, and drug abuse—were hits with critics and general moviegoers alike. Sociology on Film considers the postwar “problem film” as a form of popular sociology, translating contemporary policy debates and intellectual discussions into cinematic form. Examining the politics and aesthetics of films like Gentleman’s Agreement and The Lost Weekend, Chris Cagle explores how the genre both shaped and reflected the middle-class audience’s views of society.
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