Showing 471-480 of 1,726 items.
The Last 10,000 Years
A Fossil Pollen Record of the American Southwest
The University of Arizona Press
The Hohokam
Desert Farmers and Craftsmen, Excavations at Snaketown, 1964–1965
The University of Arizona Press
The Aztec Kings
The Construction of Rulership in Mexican History
The University of Arizona Press
Winner of the Erminie Wheeler-Voegelin Book Award from the American Society for Ethnohistory, The Aztec Kings is the first major study to take into account the Aztec cyclical conception of time and treat indigenous historical traditions as symbolic statements in narrative form. Susan D. Gillespie focuses on the dynastic history of the Mexica of Tenochtitlan. By demonstrating that most of Aztec history is nonliteral, she sheds new light on Aztec culture and on the function of history in society. By relating the cyclical structure of Aztec dynastic history to similar traditions of African and Polynesian peoples, she introduces a broader perspective on the function of history in society and on how and why history must change.
Rules and Precepts of the Jesuit Missions of Northwestern New Spain
The University of Arizona Press
Once a River
Bird Life and Habitat Changes on the Middle Gila
The University of Arizona Press
Nobody Rich or Famous
A Family Memoir
The University of Arizona Press
Once in a while, a book comes along that redefines the concept of family. Frank McCourt did it with Angela’s Ashes; Annie Dillard did it with An American Childhood. In Nobody Rich or Famous, award-winning poet and author Richard Shelton immerses us in the hardscrabble lives of his Boise, Idaho, clan during the 1930s and ’40s. This is memoir in its finest tradition, illuminating today’s cultural chasm between the haves and have-nots. It is the true story of a family and how it got that way.
Mexican Melodrama
Film and Nation from the Golden Age to the New Wave
The University of Arizona Press
Mexican Melodrama offers a timely look at critically acclaimed films that serve as key referents in discussions of Mexican cinema. Elena Lahr-Vivaz artfully portrays the dominant conventions of historical and contemporary Mexican cinema, showing how new-wave directors draw from a previous generation to produce meaning in the present.
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