Race and Role

The Mixed-Race Asian Experience in American Drama

By Rena M. Heinrich

Rutgers University Press

Mixed-race Asian American plays are often overlooked for their failure to fit smoothly into static racial categories, rendering mixed-race drama inconsequential in conversations about race and performance. Since the nineteenth century, however, these plays have long advocated for the social significance of multiracial Asian people.

Race and Role: The Mixed-Race Experience in American Drama traces the shifting identities of multiracial Asian figures in theater from the late-nineteenth century to the present day and explores the ways that mixed-race Asian identity transforms our understanding of race. Mixed-Asian playwrights harness theater’s generative power to enact performances of “double liminality” and expose the absurd tenacity with which society clings to a tenuous racial scaffolding.

This book brilliantly argues for theater as a rich archive for understanding both the mixed-Asian experience and historical perceptions of multiraciality across the late nineteenth to early twenty-first century in the United States. Through cogent script analysis and fascinating biographical work on several under researched hapa playwrights, Heinrich insists on a consideration of the mixed-race experience as fundamentally distinct from representations of monoraciality. As such, mixed race theory has the potential to critique some of the monoracial presumptions of our prevailing discourse on race. SanSan Kwan, author of Love Dances: Loss and Mourning in Intercultural Collaboration

Heinrich is brilliant, and her subject is fascinating. I loved every one of these chapters and found each one challenging in different and surprising ways. Race and Role seems destined to take its place in the canon of Asian American cultural studies. Paul Spickard, author of Almost All Aliens: Immigration, Race, and Colonialism in American History and Identity

Rena M. Heinrich is an assistant professor of theatre practice at the University of Southern California. She is a contributor to Shape Shifters: Journeys across Terrains of Race and Identity and The Beiging of America: Personal Narratives about Being Mixed Race in the 21st Century.

Contents
Chapter 1: Stages of Denial
Chapter 2: Tragic Eurasians: Mixed-Asian Dramas in the Late-Nineteenth Century
Chapter 3: Shape Shifting Performances in the Twentieth Century
Chapter 4: Cosmopolitan Identity in Mixed Dramatic Forms
Chapter 5: Multiraciality in the Post-racial Era
Chapter 6: Beyond Monoracial Hierarchies: Recovering Lost Selves
Acknowledgments
Notes
Index

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