New Critical Essays on Toni Morrison's God Help the Child
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Release Date:23 Jul 2020
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New Critical Essays on Toni Morrison's God Help the Child

Race, Culture, and History

University Press of Mississippi

Contributions by Alice Knox Eaton, Mar Gallego, Maxine Lavon Montgomery, Evelyn Jaffe Schreiber, Shirley A. Stave, Justine Tally, Susana Vega-González, and Anissa Wardi

In her eleventh novel, God Help the Child, Toni Morrison returned to several of the signature themes explored in her previous work: pernicious beauty standards for women, particularly African American women; mother-child relationships; racism and colorism; and child sexual abuse. God Help the Child, published in 2015, is set in the contemporary period, unlike all of her previous novels. The contemporary setting is ultimately incidental to the project of the novel, however; as with Morrison’s other work, the story takes on mythic qualities, and the larger-than-life themes lend themselves to allegorical and symbolic readings that resonate in light of both contemporary and historical issues.

New Critical Essays on Toni Morrison’s “God Help the Child”: Race, Culture, and History, a collection of eight essays by both seasoned Morrison scholars as well as new and rising scholars, takes on the novel in a nuanced and insightful analysis, interpreting it in relation to Morrison’s earlier work as well as locating it within ongoing debates in literary and other academic disciplines engaged with African American literature. The volume is divided into three sections. The first focuses on trauma—both the pain and suffering caused by neglect and abuse, as well as healing and understanding. The second section considers narrative choices, concentrating on experimentation and reader engagement. The third section turns a comparative eye to Morrison’s fictional canon, from her debut work of fiction, The BluestEye, until the present.

These essays build on previous studies of Morrison’s novels and deepen readers’ understanding of both her last novel and her larger literary output.

This will be useful to, and enjoyable for, Morrison scholars. Publishers Weekly
New Critical Essays on Toni Morrison’s ‘God Help the Child’: Race, Culture, and History is very well and quite deliberately situated within Morrison scholarship. The collection offers a wide-ranging, diverse, and fresh array of concepts (from trauma theory, queer theory, intersectional feminism, deconstruction, postcolonial theory, etc.) in dialogue with God Help the Child. Students—both undergraduates and postgraduates—and scholars would be most interested in this book. Pelagia Goulimari, author of Women Writing Across Cultures: Present, Past, Future

Alice Knox Eaton is professor of English and chair of the Humanities Department at Springfield College. She contributed to Contested Boundaries: New Critical Essays on the Fiction of Toni Morrison, and her work has appeared in Chronicle of Higher Education and A Review of International English Literature. Maxine Lavon Montgomery is professor of English at Florida State University, where she teaches courses in Africana, American multi-ethnic, and women’s literature. She is coeditor of New Critical Essays on Toni Morrison’s "God Help the Child" and author of A Circle of One: Rituals of Black Girlhood in Africana Women’s Novels. She is also editor of Contested Boundaries: New Critical Essays on the Fiction of Toni Morrison, Conversations with Edwidge Danticat, and Conversations with Gloria Naylor, the latter two published by University Press of Mississippi. Shirley A. Stave is professor of English and assistant director of the Louisiana Scholars’ College at Northwestern State University. She is editor of Toni Morrison and the Bible: Contested Intertextualities and coeditor of Toni Morrison’s “A Mercy”: Critical Approaches.

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