Making the News
396 pages, 6 1/4 x 9 1/4
Paperback
Release Date:06 Apr 1999
ISBN:9781558491779
Making the News
Modernity and the Mass Press in Nineteenth-Century France
Edited by Dean de la Motte and Jeannene M. Przyblyski
University of Massachusetts Press
Much recent writing on print culture has focused on the social and political implications of the transition from "elite" to "mass" culture in the 1800s. The essays in this volume add significantly to our understanding of the role of the nineteenth-century French press in producing the commodities, consumers, and ideological frameworks that are the hallmarks of this shift. The book also offers an opportunity for useful comparisons with recent scholarship on the rise on the popular press in the United States, Great Britain, and Germany.
The essays address a wide range of topics, from the emergence of commercial daily newspapers during the July Monarchy to the photographic representation of women in the Paris Commune. Together they demonstrate that the French mass press was far more heterogeneous than previously supposed, tapping into an expanding readership composed of a variety of publics—from affluent bourgeois to disaffected workers to disenfranchised women. It was also relentlessly innovative, using caricature, argot, advertisements, and other attention-grabbing techniques that blurred the lines separating art, politics, and the news.
The essays address a wide range of topics, from the emergence of commercial daily newspapers during the July Monarchy to the photographic representation of women in the Paris Commune. Together they demonstrate that the French mass press was far more heterogeneous than previously supposed, tapping into an expanding readership composed of a variety of publics—from affluent bourgeois to disaffected workers to disenfranchised women. It was also relentlessly innovative, using caricature, argot, advertisements, and other attention-grabbing techniques that blurred the lines separating art, politics, and the news.
The issues raised in this book about mass culture, consumerism, and the canonical avant-garde are on the cutting edge of interdisciplinary scholarship. Its contribution is far broader than French cultural studies because of the various issues it raises about hegemony and resistance with regard to class and gender.'—Elinor Accampo, University of Southern California
Dean de la Motte is assistant professor of French at Guilford College. Jeannene M. Przyblyski is an independent scholar who lives in San Francisco.
