Borderlands Saints examines the rise and fall of popular saints and saint-like figures in the borderlands of the United States and Mexico. Focusing specifically on Teresa Urrea (La Santa de Cabora), Pancho Villa, César Chávez, Subcomandante Marcos, and Santa Muerte, the book traces the intersections of these figures, their devotees, artistic representations, and dominant institutions with an eye for the ways in which such unofficial saints mirror traditional spiritual practices and serve specific cultural needs.

This visual representation of New Mexico and its people is a fascinating study of how the region has been depicted in film from the dawn of early filmmaking and the silent era to today. Meléndez examines such films as Adventures in Kit Carson Land, The Rattlesnake, and Red Sky at Morning, among others, that have both educated and misinformed us about a state in our own midst that remains a “distant locale” to most white Americans.

Domestic Negotiations explores how U.S. Mexicana and Chicana authors and artists across different historical periods and regions use domestic space to actively claim their own histories. Drawing from a range of archival sources and cultural productions, the book demonstrates how the very sites of domesticity are used to engage with the many political and recurring debates about race, gender, and immigration affecting the lives of Mexicanas and Chicanas from the early twentieth century to today.

This book examines the ways that recent U.S. Latina literature challenges popular definitions of nationhood and national identity. It explores the works of Mexican American, Puerto Rican, and Cuban American writers Denise Chavez, Ana Castillo, Sandra Cisneros, Judith Ortiz Cofer, Esmeralda Santiago, and Himilce Novas to show how these texts argue for the legitimate belonging of Latino/as within U.S. borders and counter much of today’s anti-immigration rhetoric.

Through interviews with three generations of Yalálag Zapotecs (“Yalaltecos”) in Los Angeles and Yalálag, Oaxaca, Adriana Cruz-Manjarrez examines the impact of international migration on this community, tracing five decades of migration to Los Angeles to delineate migration patterns, community formation in Los Angeles, and the emergence of transnational identities of the first and second generations of Yalálag Zapotecs in the U.S.

Luis F. B. Plascencia’s Disenchanting Citizenship explores two interrelated issues: U.S. citizenship and the Mexican migrants’ position in the United States. Through an extensive and multifaceted collection of interviews, ethnographic fieldwork, ethno-historical research, and public policy analysis, Plascencia probes the ways in which citizenship discourses are understood and taken up by individuals. The book uncovers citizenship’s root as a Janus-faced  construct that encompasses a simultaneous process of inclusion and exclusion. This notion of citizenship is mapped on to the migrant experience, arguing that the acquisition of citizenship can lead to disenchantment with the very status desired. Using the experience of Mexican migrants, Plascencia expands the understanding of the dynamics of U.S. citizenship as a form of membership and belonging.

In The Rise of Spanish-Language Filmmaking, Lisa Jarvinen focuses specifically on how Hollywood lost a lucrative international Spanish-speaking audience between 1929 and 1939, along with talent it had carefully nurtured in the United States. Employing studio records from Warner Bros., Fox Films, and United Artists, Jarvinen examines the lasting effects of the transition to sound on both Hollywood practices and cultural politics in the Spanish-speaking world. Using case studies based on archival research in the United States, Spain, and Mexico, she shows how language, as a key marker of cultural identity, led to new expectations from audiences and new possibilities for film producers.

In The Rise of Spanish-Language Filmmaking, Lisa Jarvinen focuses specifically on how Hollywood lost a lucrative international Spanish-speaking audience between 1929 and 1939, along with talent it had carefully nurtured in the United States. Employing studio records from Warner Bros., Fox Films, and United Artists, Jarvinen examines the lasting effects of the transition to sound on both Hollywood practices and cultural politics in the Spanish-speaking world. Using case studies based on archival research in the United States, Spain, and Mexico, she shows how language, as a key marker of cultural identity, led to new expectations from audiences and new possibilities for film producers.

Becoming Mexipino is a social-historical interpretation of two ethnic groups, one Mexican, the other Filipino, whose paths led both groups to San Diego, California from 1900 to 1965. Rudy Guevarra traces their earliest interactions under Spanish colonialism, when they did not strongly identify as Mexican or Filipino, to illustrate how these historical ties and cultural bonds laid the foundation for what would become close interethnic relationships and communities in twentieth-century San Diego as well as in other locales throughout California and the Pacific West Coast.