In a gorgeously illustrated exploration of the art of Michael Nicoll Yahgulanaas, Mischief Making demonstrates how playful and punning gestures can shed light on serious subjects.

So Much More Than Art reveals the fascinating practice of miniaturization in Indigenous Northwest Coast art as a subtle form of communication in the face of oppressive colonization.

The Laws and the Land, an original and impassioned account of the history of the relationship between Canada and Kahnawà:ke, reveals the clash of settler and Indigenous legal traditions and the imposition of settler colonial law on Indigenous peoples and land.

Writing the Hamat̓sa critically surveys more than two centuries worth of published, archival, and oral sources to trace the attempted prohibition, intercultural mediation, and ultimate survival of one of Canada’s most iconic Indigenous ceremonies.

Based on the experiences of evacuees from seven First Nations communities, this book offers guidance to Indigenous communities and external agencies on how to successfully plan for and carry out wildfire evacuations.

Bead by Bead lays bare the failure of judicial doctrine and government policy to address Métis rights, and offers constructive insights on ways to advance reconciliation.

The Social Life of Standards reveals how political and technical tools for organizing society are developed, applied, subverted, contested, and reassembled as local communities interact with standards created by external forces.

In A People and a Nation, the authors, most of whom are themselves Metis, offer readers a set of lenses through which to consider the complexity of historical and contemporary Métis nationhood and peoplehood.

The Theatre of Regret reveals the role that Indigenous and allied literatures play in challenging state-centred discourses of reconciliation in Canada.

Reframing Manitou Aki (Creator's Land) history from the perspective of the Ojibway-Anishinabe, Our Hearts Are as One Fire shares a vision for the leaders of today and tomorrow.