This compassionate yet unflinching exposé of the pitfalls of Indigenous–non-Indigenous solidarity work offers a constructive framework for non-colonizing solidarity that can be applied in any context of unequal power.

In Braided Learning, Lenape-Potawatomi educator Susan Dion inspires engagement with the histories and perspectives of Indigenous peoples, cultivating capacities for understanding, attunement, and respect.

A Legacy of Exploitation recasts the Hudson’s Bay Company’s experiment at Red River as a reaction to Indigenous peoples’ autonomy, challenging collective historical fantasies of Canada as a glorious nation of adventurers.

Métis Rising brings together a vibrant collection of essays on history, politics, and culture that celebrate the resilience of Métis identity.

Reconciling Truths is a forthright examination of commissions of inquiry that demonstrates the need for astute leadership and an engaging process if they are to lead to meaningful change.

Beyond Rights examines the legal, political, and cultural implications of the groundbreaking process of negotiating the Nisga’a treaty.

To Share, Not Surrender presents multiple views and lived experience of the treaty-making process and its repercussions in the Colonies of Vancouver Island and British Columbia, and publishes, for the first time, the Vancouver Island Treaties in First Nations languages.

Adjusting the Lens explores and celebrates decolonizing strategies and practices that confront the ways the photographic record of Indigenous peoples has been shaped by the colonial imagination.

In a gorgeously illustrated exploration of the art of Michael Nicoll Yahgulanaas, Mischief Making demonstrates how playful and punning gestures can shed light on serious subjects.

So Much More Than Art reveals the fascinating practice of miniaturization in Indigenous Northwest Coast art as a subtle form of communication in the face of oppressive colonization.