Dudley Andrew
Showing 1-7 of 7 items.
Thinking in the Dark
Cinema, Theory, Practice
Edited by Murray Pomerance and R. Barton Palmer
Rutgers University Press
Thinking in the Dark introduces readers to twenty-one key theorists whose work has made the greatest impact on film scholarship today, including everyone from Sergei Eisenstein to Michel Foucault, from Judith Butler to André Bazin. Each chapter is written by an expert who explains a different theorist’s key ideas, then gives concrete examples of how they might be applied to both a classic film and a contemporary one. Ideal for teachers and students of film as well as contemporary and modern philosophy, critical theory and semotics, also of interest to the general reader exploring such topics.
- Copyright year: 2015
Global Cinema Networks
Edited by Elena Gorfinkel and Tami Williams
Rutgers University Press
Global Cinema Networks brings together internationally acclaimed film scholars to investigate the evolving forms, technological and industrial conditions, and social impacts of cinema in the twenty-first century. The collection examines shifting sites of global filmmaking in an era of digital reproduction, amidst new modes of circulation and aesthetic convergence.
- Copyright year: 2018
Fredric Jameson and Film Theory
Marxism, Allegory, and Geopolitics in World Cinema
Rutgers University Press
A radical new intervention into film studies and Marxist cultural studies, this book considers the contributions of Fredric Jameson to film Studies, and finds scholars applying, questioning, and developing his ideas in a wide-ranging collection of case studies from around the globe.
- Copyright year: 2022
Breathless
Jean-Luc Godard, Director
Edited by Dudley Andrew
Rutgers University Press
Breathless, a low-budget film, came to be regarded as one of the major accomplishments of the French New Wave cinema of the early sixties. It had a tremendous influence on French filmmakers and on world cinema in general. Beyond its significance in film history, it was also a film of considerable cultural impact. In Breathless, Jean-Luc Godard captured the spirit of a disillusioned generation and fashioned a style, which drew on the past, to parade that disillusionment.
- Copyright year: 1988
Thinking in the Dark
Cinema, Theory, Practice
Edited by Murray Pomerance and R. Barton Palmer
Rutgers University Press
Thinking in the Dark introduces readers to twenty-one key theorists whose work has made the greatest impact on film scholarship today, including everyone from Sergei Eisenstein to Michel Foucault, from Judith Butler to André Bazin. Each chapter is written by an expert who explains a different theorist’s key ideas, then gives concrete examples of how they might be applied to both a classic film and a contemporary one. Ideal for teachers and students of film as well as contemporary and modern philosophy, critical theory and semotics, also of interest to the general reader exploring such topics.
- Copyright year: 2015
Global Cinema Networks
Edited by Elena Gorfinkel and Tami Williams
Rutgers University Press
Global Cinema Networks brings together internationally acclaimed film scholars to investigate the evolving forms, technological and industrial conditions, and social impacts of cinema in the twenty-first century. The collection examines shifting sites of global filmmaking in an era of digital reproduction, amidst new modes of circulation and aesthetic convergence.
- Copyright year: 2018
Fredric Jameson and Film Theory
Marxism, Allegory, and Geopolitics in World Cinema
Rutgers University Press
A radical new intervention into film studies and Marxist cultural studies, this book considers the contributions of Fredric Jameson to film Studies, and finds scholars applying, questioning, and developing his ideas in a wide-ranging collection of case studies from around the globe.
- Copyright year: 2022
Stay Informed
Subscribe nowRecent News