The Bomb in the Wilderness is an acutely perceptive analysis of Canada’s nuclear footprint through the medium of photography, revealing how we have represented, interpreted, and remembered nuclear activities since 1945.

The Juggling Mother upends popular representations of the supermom, showing her to be a cultural construction and the model neoliberal worker.

Offering fresh insights and raising important questions, this historical exploration of appropriation traces the ways in which gender and race were negotiated through the popular culture of the Civil Rights Era.

This insider look at the forces that came together to make Canada’s reggae scene reaffirms the power of music to combat racism and build bridges between communities and cultures.

Drawing on radical democratic theory and the ideas of political theorist Guy Debord, Rethinking the Spectacle examines the tension between spectacles and political agency in our digital society.

At the Bridge lifts from obscurity the story of James Teit (1864–1922), an outstanding Canadian ethnographer and Indian rights activist whose thoughtful scholarship and tireless organizing have been largely ignored.

This fascinating account of Ontario’s 1980s’ censor wars shows that when art intersects with law, artists have the power to transform the law, and the law, in turn, can influence the concept of art.

Saving the Nation through Culture tells the little-known story of how a group of Chinese scholars attempted to use “low culture” to promote national unity during a long period of crisis.

Incorporating Culture examines what happens when Indigenous people assert control over the commercialization of their art by instilling the market with their communities’ values.

Live at the Cellar tells the story of Vancouver’s iconic jazz club and other co-operative scenes during the 1950s and ’60s and the profound influence they had on the evolution of jazz in Canada.