Life against States of Emergency responds to the central question Attawapiskat chief Theresa Spence asked in a high-profile ceremonial fast: What does it mean to be in a treaty relationship today?

Unstable Properties convincingly argues that the so-called land question in British Columbia cannot be resolved without understanding the fundamentally unstable ideological foundation of land and title arrangements on which the province rests.

Making Muskoka traces the first decades of Muskoka’s transformation from Indigenous homeland to a part-time playground for tourists and cottagers and uncovers the consequences for those who lived there year-round.

Lessons in Legitimacy examines the relationship between settler capitalism, state schooling, and the making of British Columbia.

A detailed account of the 360 species of birds recorded on the wild west coast of Vancouver Island and its offshore waters.

Religion at the Edge shows how the distinctive social and physical landscape of the Pacific Northwest proves fertile ground for an expansive exploration of contemporary spirituality and secularity.

To Share, Not Surrender presents multiple views and lived experience of the treaty-making process and its repercussions in the Colonies of Vancouver Island and British Columbia, and publishes, for the first time, the Vancouver Island Treaties in First Nations languages.

Against the Tides tells the compelling story of the rehabilitation of the Maritime marshlands, a project that reshaped not only the landscape of the Bay of Fundy region but the communities that depended on it.

This authoritative biography of Mary Ellen Smith (1863–1933) – British Columbia’s first female MLA, the British Empire’s first female cabinet minister, and a BC suffragist – recovers from obscurity an audacious but imperfect champion in the struggle for greater democracy in early twentieth-century Canada.

A Long Way to Paradise is a lively account of the personalities and ideas that shaped the first hundred years of BC politics and created one of Canada’s most fractious and dynamic political scenes.