By With To & From
A Lincoln Kirstein Reader
Lincoln Kirstein’swriting is a notable example of a wide historical awareness that was fired by passion and guided by taste. He established his interests in art and literature as an undergraduate at Harvard during the late 1920s.There he started the famous quarterly Hound & Horn, a magazine that published the work of such writers as James Joyce and Gertrude Stein, and also cofounded the Harvard Society for Contemporary Art, which exhibited the work of cutting-edge artists. Best known for his pioneering efforts to cultivate ballet in the United States, he actively pursued a professional partnership with legendary choreographer George Balanchine, with whom he founded both the School of American Ballet and the New York City Ballet.This collection, in paperback for the first time, showcases Kirstein’s knowledge of dance, painting, photography, theatre, politics, and literature and combines many of his best-known and most authoritative statements with less familiar but equally brilliant polemics and appreciations. Along with autobiographical essays and poetry, his commentary covers such diverse personalities as composer Igor Stravinsky, photographer Walker Evans, author Ernest Hemingway, actress Marilyn Monroe, and Robert Gould Shaw, leader of the courageous black Civil War regiment. The book also contains photographs from Kirstein’s private collection—portraits of himself and other famous artists of the time, such as Diaghilev, Cocteau, and Eisenstein, among others.
Nicholas Jenkins teaches 20th-century culture and literature at Stanford University. He has been an editor and writer at ARTnews magazine in New York, a codirector of the Modernism in Its Contexts seminar at the Center for Literary and Cultural Studies at Harvard University, and currently edits the Poetry in Translation series for Princeton University Press. He regularly contributes essays and reviews to periodicals including the London Review of Books, the Times Literary Supplement, New York Times Book Review, the New Republic, the New Yorker, and the Yale Review.
