Burnt Cork
280 pages, 6 1/8 x 9 1/4
90 b&w illus.
Paperback
Release Date:20 Jul 2012
ISBN:9781558499348
Burnt Cork
Traditions and Legacies of Blackface Minstrelsy
Edited by Stephen Johnson
University of Massachusetts Press
Beginning in the 1830s and continuing for more than a century, blackface minstrelsy—stage performances that claimed to represent the culture of black Americans—remained arguably the most popular entertainment in North America. A renewed scholarly interest in this contentious form of entertainment has produced studies treating a range of issues: its contradictory depictions of class, race, and gender; its role in the development of racial stereotyping; and its legacy in humor, dance, and music, and in live performance, film, and television. The style and substance of minstrelsy persist in popular music, tap and hip-hop dance, the language of the standup comic, and everyday rituals of contemporary culture. The blackface makeup all but disappeared for a time, though its influence never diminished—and recently, even the makeup has been making a comeback.
This collection of original essays brings together a group of prominent scholars of blackface performance to reflect on this complex and troublesome tradition. Essays consider the early relationship of the blackface performer with American politics and the antislavery movement; the relationship of minstrels to the commonplace compromises of the touring "show" business and to the mechanization of the industrial revolution; the exploration and exploitation of blackface in the mass media, by D. W. Griffith and Spike Lee, in early sound animation, and in reality television; and the recent reappropriation of the form at home and abroad.
In addition to the editor, contributors include Dale Cockrell, Catherine Cole, Louis Chude-Sokei, W. T. Lhamon, Alice Maurice, Nicholas Sammond, and Linda Williams.
This collection of original essays brings together a group of prominent scholars of blackface performance to reflect on this complex and troublesome tradition. Essays consider the early relationship of the blackface performer with American politics and the antislavery movement; the relationship of minstrels to the commonplace compromises of the touring "show" business and to the mechanization of the industrial revolution; the exploration and exploitation of blackface in the mass media, by D. W. Griffith and Spike Lee, in early sound animation, and in reality television; and the recent reappropriation of the form at home and abroad.
In addition to the editor, contributors include Dale Cockrell, Catherine Cole, Louis Chude-Sokei, W. T. Lhamon, Alice Maurice, Nicholas Sammond, and Linda Williams.
I think this volume delivers more than most readers will expect. Despite my familiarity with almost all the contributors' previous work, I was constantly finding myself learning new things. I would love to think we lived in a 'post-racial culture,' but as these essays remind us, we have a long way to go to get there — and in the meantime, the more we know about minstrelsy, the more we know about ourselves.'—Stephen Railton, author of Authorship and Audience: Literary Performance in the American Renaissance
'This volume's chapters span time, culture and media, engaging gender, colonialism and class in demonstrating the troubling endurance of blackface minstrelsy. This is an important contribution and will be useful to courses that examine the subject in depth and across contexts.'—Journal of Theatre Research International
'The interdisciplinarity of Burnt Cork convincingly illustrates the potential in new approaches to blackface minstrelsy, while questioning how some disciplines that may not consider blackface as an appropriate object of study might themselves be opened up to new possibilities by engaging we exploring this complex American legacy.'—Theatre Journal
Stephen Johnson is director of the Centre for Drama, Theatre and Performance Studies at the University of Toronto and author of The Roof Gardens of Broadway Theatre.Please see his website http://burntcorkthebook.com.
