A Queerly Joyful Noise
224 pages, 6 x 9
15 illustrations
Paperback
Release Date:10 Nov 2017
ISBN:9780813588384
Hardcover
Release Date:10 Nov 2017
ISBN:9780813588391
A Queerly Joyful Noise
Choral Musicking for Social Justice
Rutgers University Press
2018 Choice Outstanding Academic Title
Honorable Mention, 2019 Herndon Book Prize - (SEM-GST)
A Queerly Joyful Noise examines how choral singing can be both personally transformative and politically impactful. As they blend their different voices to create something beautiful, LGBTIQ singers stand together and make themselves heard. Comparing queer choral performances to the uses of group singing within the civil rights and labor movements, Julia “Jules” Balén maps the relationship between different forms of oppression and strategic musical forms of resistance. She also explores the potential this queer communal space creates for mobilizing progressive social action.
A proud member of numerous queer choruses, Balén draws from years of firsthand observations, archival research, and extensive interviews to reveal how queer chorus members feel shared vulnerability, collective strength, and even moments of ecstasy when performing. A Queerly Joyful Noise serves as a testament to the power of music, intimately depicting how participation in a queer chorus is more than a pastime, but a meaningful form of protest through celebration.
Honorable Mention, 2019 Herndon Book Prize - (SEM-GST)
A Queerly Joyful Noise examines how choral singing can be both personally transformative and politically impactful. As they blend their different voices to create something beautiful, LGBTIQ singers stand together and make themselves heard. Comparing queer choral performances to the uses of group singing within the civil rights and labor movements, Julia “Jules” Balén maps the relationship between different forms of oppression and strategic musical forms of resistance. She also explores the potential this queer communal space creates for mobilizing progressive social action.
A proud member of numerous queer choruses, Balén draws from years of firsthand observations, archival research, and extensive interviews to reveal how queer chorus members feel shared vulnerability, collective strength, and even moments of ecstasy when performing. A Queerly Joyful Noise serves as a testament to the power of music, intimately depicting how participation in a queer chorus is more than a pastime, but a meaningful form of protest through celebration.
I have spent many hours pondering how it is that our work as LGBTQ choruses impacts social change. Julia's book made me laugh and cry but most importantly informs our ongoing efforts to enhance our effectiveness at creating social change through the power of music.'
Balén’s book sweeps you into the life of LGBTQ choral music. As a conductor in the GALA network for 30 years, it is a joy to see it so beautifully described in this important book. Balén is able to take the reader on a beautiful journey and educate us all along the path. Every person – gay or straight – who loves music should read this book.
Balén accurately unwraps our shared queer choral musiking with vision and depth while also tracing our connections to other contemporary movements for social justice and equality. In addition, she is able to capture familiar choral issues, events, rehearsals, and performance experiences with humor and aha moments. Wonderfully readable and well researched. Enthusiastically recommended.'
A unique and seminal study, A Queerly Joyful Noise: Choral Musicking for Social Justice is exceptionally informative and extraordinarily well written. An important and primary work of original scholarship.’
Balén give[s] special weight to women’s and mixed choruses, which have often been neglected in this discussion....If you happen to be thinking about forming an LGBT chorus in your town, it might serve you well to study Balén’s treatise for useful direction.'
Cultural Singing as Personal and Political,' by Julia 'Jules' Balen
A Queerly Joyful Noise chosen as Choice 'Outstanding Academic Title 2018'
Balén effectively establishes and substantiates a theoretical framework that illustrates 'a larger picture of queer choral musicking as a social practice with a purpose.' Because the movement centers LGBTQ stories in music designed for social change, Balén centers the stories of her interviewees for discussion here. She explores questions pertaining to why LGBTQ singers join gay and lesbian choruses working toward social change, as well as how those choruses both measure and achieve lasting social change.
JULIA “JULES” BALÉN, professor of English and a founding faculty member of Chicana/o Studies, Freedom & Justice Studies, and Philosophy at the California State University system’s newest campus, Channel Islands (in Camarillo), has been involved in queer choral movement for almost 30 years and has dedicated her research, writing, service, and community work to creating greater equity for all. Balén's home is in the San Francisco Bay Area.
Contents
Introduction: Why Choruses?
Part I: Finding our Voices
Chapter 1: Singing as Counterstorying Practice
Chapter 2: Choral Musicking for Change
Part II: Queer Organizing for Social Change
Chapter 3: Practices of Identity: Queering Social Institutions
Chapter 4: Queer Choral Musicking: Cultural Contexts
Chapter 5: Choral Technologies for Queering
Part III: Communal Erotics and Social Justice
Chapter 6: Emotions, Identities, and Choral Musicking
Chapter 7: Communal Erotics: Choral Musicking and Our Capacity for Joy
Acknowledgments
Bibliography
Introduction: Why Choruses?
Part I: Finding our Voices
Chapter 1: Singing as Counterstorying Practice
Chapter 2: Choral Musicking for Change
Part II: Queer Organizing for Social Change
Chapter 3: Practices of Identity: Queering Social Institutions
Chapter 4: Queer Choral Musicking: Cultural Contexts
Chapter 5: Choral Technologies for Queering
Part III: Communal Erotics and Social Justice
Chapter 6: Emotions, Identities, and Choral Musicking
Chapter 7: Communal Erotics: Choral Musicking and Our Capacity for Joy
Acknowledgments
Bibliography
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