Dispatches from Disabled Country is a nuanced and unmistakably poetic introduction to the rich landscape of disability activism and culture from one of Canada’s most recognized voices, Catherine Frazee.

Gender, race, and politics in late-nineteenth-century Toronto swirl around this riveting true story of the murder of Frank Westwood and the controversial acquittal of the main suspect, Clara Ford – a cross-dressing Black single mother.

The Theatre of Regret reveals the role that Indigenous and allied literatures play in challenging state-centred discourses of reconciliation in Canada.

These captivating reflections on the history of our environment and ourselves will make you think differently not only about Canada’s past but also about our future.

A poetic setting of a World War I soldier's diary.

An expression of the solidarity between Indigenous peoples within settler Canada and the people of Palestine.

Working within a postmodern style, this rhythmic and melodious collection of poems originally written in Slovenian by Cvetka Lipuš and translated here by Tom Priestly, blends the real with the surreal, dull urban lives with dreams.

This collection of essays asks readers to think critically, creatively, and broadly about how, why, and when we remember, at a time when the idea of memory – through the commemoration of the First World War – is at the forefront of public discourse.

Over the last decade, a proliferation of sport literature courses across the continent is evidence of the sophisticated and evolving body of work developing in this area. Writing the Body in Motion offers introductory essays on the most commonly taught Canadian sport literature texts.