Back to Black provides the first full-length critical analysis of Jules Feiffer’s late-career graphic novels Kill My Mother (2014), Cousin Joseph (2016), and The Ghost Script (2018), examining how they pay playful homage to the cinematic techniques and iconography of film noir while addressing serious themes like McCarthyism, antisemitism, and gender discrimination.

 

Latinx Comics Studies considers the role of comics and graphic narrative in picturing the rich realities of Latinx communities. It brings together groundbreaking critical essays, practical reflections, original and republished short comics to explore how comics by, for, and about Latinx peoples creatively and conceptually experiment with the very boundaries of “Latinx.”
 

Latinx Comics Studies considers the role of comics and graphic narrative in picturing the rich realities of Latinx communities. It brings together groundbreaking critical essays, practical reflections, original and republished short comics to explore how comics by, for, and about Latinx peoples creatively and conceptually experiment with the very boundaries of “Latinx.”
 

This book tells the remarkable story of how a preacher’s kid from Birmingham, Alabama became the so-called “Godfather of Gay Comics.” Lavishly illustrated with a broad selection of comics from Howard Cruse’s fifty-year career, this study showcases his critical role as a satirist and commentator on his times.