Phonographic Memories is the first book-length analysis of Caribbean popular music in the Caribbean novel. Tracing a region-wide poetics that attends to the centrality of Caribbean music in retrieving and replaying personal and cultural memories, Hamilton offers a fresh perspective on musical nationalism and nostalgic memory in the era of globalization.

Beyond Representation in Contemporary Caribbean Art offers an innovative and systematic analysis of contemporary Caribbean art practices in the Francophone, Anglophone, and Hispanic Caribbean. Focusing on a broad range of artistic projects, the book assesses the potential of visual creativity to outline a unique approach to Caribbean visual practices based on individual and collective agency. 

Taking the reader into the lived experience of Afro-Caribbean people who call the watery lowlands of Belize home, Melissa A. Johnson traces Belizean Creole peoples’ relationships with the plants, animals, water, and soils around them, and analyzes how these relationships intersect with transnational racial assemblages. 

Botkin has compiled and analyzed plays, novels, and folklore about Three-Fingered Jack in order to show how the story of this hero-villain has evolved as it traveled from the Caribbean to England and the United States, returning to Jamaica as a tale of heroic resistance.

Sovereign Acts explores how artists, activists, and audiences performed and interpreted sovereignty struggles in the Panama Canal Zone over the last century. By demonstrating the place of performance in the legal landscape of U.S. Empire, Zien transforms our understanding of U.S. imperialism in the Panama Canal Zone and the Caribbean.  

This book begins with a simple question: why do so many Dominicans deny the African components of their DNA, culture, and history? By poring through rare historical documents and conducting extensive interviews, Milagros Ricourt uncovers a complex and often contradictory Dominican racial imaginary. Finding that the country’s social elite has long propagated a national creation myth that revolves around the union of native islanders and Spanish settlers, she also explores how many Dominicans subvert this official narrative and celebrate their African heritage. 

Our Caribbean Kin explores the extent to which Dominicans, Haitians, and Puerto Ricans have imagined one another as part of the same big family, rallying against the forces of European colonialism, US imperialism, and neoliberalism. Drawing from a vast archive of texts, ranging from nineteenth-century political tracts to twenty-first-century online forums, Alaí Reyes-Santos considers both the benefits and the limits of these kinship tropes, uncovering the conflicts and internal hierarchies among Antilleans, while also discovering how they have created cohesion across differences.  

 

The Things That Fly in the Night explores images of vampirism in Caribbean and African diasporic folk traditions and in contemporary fiction. Giselle Anatol considers the explosion of soucouyant and other vampire narratives among writers of Caribbean and African heritage who in the past twenty years have rejected the demonic image of the character and used her instead to urge for female mobility, racial and cultural empowerment, and anti colonial resistance.