The New Silk Road Diplomacy traces how China, faced with internal and external challenges to its authority following the collapse of the Soviet Union, constructed a gradualist approach to Central Asia that prioritized multilateral diplomacy.

Undercurrents engages the critical rubric of “queer” to examine Hong Kong’s screen, uncovering a queer media culture that has been largely overlooked by critics in the West, and demonstrates the cultural vitality of Hong Kong amidst political transition.

Set against a backdrop of war and revolution, this book brings sixty years of missionary nursing out of the shadows by examining how Canadian nurses shaped health care in the province of Henan and how China, in turn, influenced the nature of missionary nursing.

Wu Liangyong offers a new direction for the planning and development of China's capital.

From instant Chinatowns in gold- and coal-mining communities to new Chinatowns which have sprung up in city neighbourhoods and suburbs since World War II, this is definitive history of Chinatowns in Canada.

History accelerated.

The essays in this volume look at China's relationships with border peoples over a long span of time, questioning whether the process of expansion was a benevolent civilizing mission.

This innovative account examines the social and political impacts of Chinese teacher's schools in the early 20th century, their role in a society in transition, and their production of grassroots forces that lead to the Communist Revolution.

A counterpoint to erroneous historical assumptions, this book argues that Nationalist sovereignty over Tibet and China's other border regions was the result of rhetorical grandstanding by Chiang Kai-shek and his regime.

Frontier People shows how the Han themselves have been directly involved in the process of transforming the areas where they have settled.

A comprehensive and balanced look at the role of images in Asian religions, which examines aspects of the reception of image worship that have only begun to be studied.

Gutenberg in Shanghai demonstrates how Western technology and evolving traditional values resulted in the birth of a unique form of print capitalism whose influence on Chinese culture was far-reaching and irreversible.

The Cult of Happiness is among the first studies in any field to treat folk art and folk print as historical text. As such, this richly illustrated volume will appeal to a wide range of scholars in Asian studies, history, art history, folklore and print, as well as anyone having a passion for the creativity and culture of rural society.

This anthropological study of Chinese archaeologists shows how the discipline works within a Chinese social structure, and uncovers the complex underpinnings of that context.