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Green Cane and Juicy Flotsam

Short Stories by Caribbean Women

Rutgers University Press

Perhaps the most salient feature of the stories collected here is their presentation of the multiplicity of voices of Caribbean women: Parable II, No Dust is Allowed in This House, of Nuns and Punishment, Reminds us of the accomplishments of Caribbean women and promise of their writing.

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The Life and Times of Grandfather Alonso

Culture and History in the Upper Amazon

Rutgers University Press

In Blanca Muratorio's book, we are introduced to Rucuyaya Alonso, an elderly Quichua Indian of the Upper Ecuadorean Amazon. Alonso is a hunter, but like most Quichuas, he has done other work as well, bearing loads, panning gold, tapping rubber trees, and working for Shell Oil. He tells of his work, his hunting, his marriage, his fights, his fears, and his dreams. His story covers about a century because he incorporates the oral tradition of his father and grandfather along with his own memories. Through his life story, we learn about the social and economic life of that region. 

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Time and the Town

A Provincetown Chronicle

Rutgers University Press

Time and the Town was the last of Mary Heaton Vorse's books. It is about many things — a town and its people, the author, a certain kind of idyllic life. As much as anything else, it is the biography of the house Vorse bought in 1907 and lived in, off and on, for the next thirty-six years. The moods of the house mirrored her own. "Our houses," she wrote, "are our biographies, the stories of our defeats and victories."

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Dharma's Daughters

Contemporary Indian Women and Hindu Culture

Rutgers University Press

Combining vivid description with thoughtful analysis, Sara Mitter reveals the condititions that shape women's lives in a traditional, patriarchal society. Mitter introduces us to diverse women who live and work in Bombay, from construction crew laborers and illiterate domestic workers who live in shanties, to well-educated, middle-class women. She also confronts the question of gender in Indian society, as she examines the influence of the Goddess mythology and the persistence of such normative models as Sita of the Ramayana in contemporary daily life. In a final section, Mitter tells of the increasing moblilization and resistance of Indian women since the 1970s. She looks at the nature of the conflicts and choices facing Indian women today, and the potential consequences for the India of tomorrow. Sara S. Mitter is an American writer based in Paris. Married to an Indian physicist, she has made many visits to India and has lived there for periods of her life.

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A Cinema Without Walls

Movies and Culture after Vietnam

Rutgers University Press

"One of the sharpest and most productive analyses of our contemporaneity and the place of cinema within it and of our new historical relations as spectators to the imaginary universe on the movie screen. This is a study that will be of intense interest to film theorists and historians, cultural critics, mass media analysts, and anyone concerned with the complicated place of culture in our world today."--Dana Polan, English and Film Studies, University of Pittsburgh How have modern advertising techniques, the widespread use of VCRs, conglomerate takeovers of studios and film archives, cable TV, and media coverage of the Vietnam war changed the ways we watch movies? And how, in turn, have those different habits and patterns of viewing changed the ways in which films address their viewers? Drawing on a wide variety of American and European films and on many theoretical models, Timothy Corrigan investigates what he calls "a cinema without walls," taking a close look at particular films in order to see how we watch them differently in the post-Vietnam era. He examines cult audiences, narrative structure, genre films (road movies, in particular), and contemporary politics as they engage new models of film making and viewing. He thus provides a rare, serious attempt to deal with contemporary movies. Corrigan discusses filmmakers from a variety of backgrounds and cultures, including Martin Scorsese, Raoul Ruiz, Michael Cimino, Alexander Kluge, Francis Ford Coppola, Stephen Frears, and Wim Wenders. He offers detailed analyses of films such as Platoon; Full Metal Jacket; 9-1/2 Weeks; The Singing Detective; Choose Me; After Hours; Badlands; The King of Comedy; Paris, Texas; and My Beautiful Laundrette. Orchestrating this diversity, Corrigan provides a critical basis for making sense of contemporary film culture and its major achievements. Timothy Corrigan is a professor of English and film at Temple University. He is the author of Writing about Film and New German Film: The Displaced Image, and editor of The Films of Werner Herzog: Between Mirage and History.

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Javanese Lives

Women and Men in Modern Indonesian Society

Rutgers University Press

Java is the most populous island of Indonesia, the fifth largest nation in the world. Yet despite its importance, outsiders know little about the country or its people. With the help of Indonesian students and scholars, Walter L. Williams has collected and translated the life histories of twenty-seven Javanese women and men. The people interviewed tell how they have coped with rapid social and economic change, and the transformation of their traditions. Williams has carefully selected the individuals he includes to represent a wide diversity of Java's people. We hear from fascinating men and women of various religions, from the rich and the poor, and from different ethnic backgrounds.

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Imitation of Life

Douglas Sirk, Director

Edited by Lucy Fischer
Rutgers University Press

Douglas Sirk (Claus Detler Sierck) was born in Hamburg, Germany, in 1900. He made nine films before fleeing Nazi Germany, eventually coming to America. His best-known films, made during the 1950s—all of them melodramas—were Magnificent Obsession, All That Heaven Allows, The Tarnished Angels, Written on the Wind, and Imitation of Life (made in 1958, released in 1959). This volume includes the complete continuity script of the film, critical commentary and published reviews, interviews with the director, and a filmography and bibliography. It also includes an excellent introduction by Lucy Fischer.

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Eskimo Essays

Yup'ik Lives and How We See Them

Rutgers University Press

This examination of the ideology and practice of the Yup'ik Eskimos of the Yukon-Kuskokwim Delta of southwestern Alaska includes traditions, ideology, relations with Christianity, warfare, use of animals, law and order, and the non-native perception of the Yup'ik way of life.

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Not Yet Pregnant

Infertile Couples in Contemporary America

Rutgers University Press

Greil explores the effect that infertility has on men and women, and why men seem to accept infertility more easily than women. Women see infertility as failure, they see themselves as incomplete. Men, seeing infertility more frequently as something they cannot change, ask why worry about it?  Greil also explores what effect these attitudes have on the couple's marriage, on relationships with their relatives, and with their fertile friends.  Infertility is not just a medical problem, it is a personal and emotional problem that affects all other aspects of the couple's life. This is a thorough investigation of what fertility means to contemporary American couples.

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The American Development of Biology

Rutgers University Press

The papers in this volume represent original work to celebrate the centenary of the American Society of Zoologists. They illustrate the impressive nature of historical scholarship that has subsequently focused on the development of biology in the United States.

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By the Rivers of Babylon and Other Stories

Rutgers University Press

These 11 short stories are for the most part highly moralistic, at their best arguing the strict Catholic tenets of faith; less successful are the author's anguished attempts to describe the artistic temperament. Tantalizing by the promise they show, the short narratives are unfleshed, lacking the spark of animation. As a collection, with an informative foreword by the author's close colleague, they supplement our scant knowledge of this scholar and social activist.

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Science, American Style

Rutgers University Press

What is distinctive about American science?

For thirty years, Nathan Reingold has been exploring the character of science in the United States. His lively and influential essays look at the ways American science reflects our culture, history, politics, geography, and myths. He meditates on the growth of a scientific community and institutions in this country, American attitudes toward the uses of science, and the behavior of scientists and their chroniclers.

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Rachel's Daughters

Newly Orthodox Jewish Women

Rutgers University Press

Debra Kaufman writes about ba'alot teshuva women who have returned to Orthodox Judaism, a form of Judaism often assumed to be oppressive to women. She addresses many of the most challenging issues of family, feminism, and gender. Why, she asks, have these women chosen an Orthodox lifestyle?  What attracts young, relatively affluent, well-educated, and highly assimilated women to the most traditional, right-wing, patriarchal, and fundamentalist branch of Judaism?  The answers she discovers lead her beyond an analysis of religious renewal to those issues all women and men confront in public and private life.

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A History Of Geology

Rutgers University Press

This book is by far the best history of geology available. It begins with the Greeks and ends with continental drift and plate tectonics. Gabriel Gohau also looks at the early theories of the formation of the world and then moves to philosophical debates over mountains, fossils, the Flood, volcanoes, and cycles of earth history that preoccupied the geologists and biologists of the late eighteenth and nineteenth century. After discussing the late nineteenth-century consolidation of theories about the mechanisms of changes in the earth, he concludes with an account of twentieth century geology's scientific revolution.

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A Life of Her Own

A Countrywoman in Twentieth-Century France

Rutgers University Press

Published in France in 1977 as Une Soupe aux Herbes Sauvages, this autobiography of a peasant woman reared in the stony insularity of a tiny Alpine village reveals the unfolding of a formidable person. Carles, born in 1900, writes of her life in the mountains coountry of southern France as comprising "so many different things, funny or tragic, picturesque or cruel." She takes the reader into her beloved Claree Valley where she as a young child in a motherless family labored alongside her father in the fields; it is where her schooling began and where she recognized her intelligence as the key to the outer world. Primitive village life and the patriarchal though loving structure of her family are background for Carles's full, nonconformist life as teacher, farmer, mother, feminist and political activist. The memoir brings to life a captivating woman

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The The Communist Party of the United States

From the Depression to World War II

Rutgers University Press

Fraser M. Ottanelli examines the history of the Communist Party of the United States (CPUSA) from the stock market crash to the reconstitution of the Party in 1945. He explains the appeal of the CPUSA and its emergence as the foremost vehicle of left-wing radicalism during these years. Ottanelli looks at the Party's domestic policies and activities concerning labor, race, youth, the unemployed, as well as the Party's changing attitude toward FDR and the New Deal, its policies in foreign affairs, and war-time activities. 

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The Idea of Spatial Form

Rutgers University Press

 The Idea of Spatial Form contains the classic essay that introduced the concept of "spatial form" into literary discussion in 1945, and has since been accepted as one of the foundations for a theory of modern literature. It is here reprinted along with two later reconsiderations, one of which answers its major critics, while the second places the theory in relation to Russian Formalism and French Structuralism. Originally conceived to clarify the formal experiments of avant-garde literature, the idea of spatial form, when placed in this wider context, also contributes importantly to the foundations of a general poetics of the literary text. 

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Moods

Rutgers University Press

Sylvia Yule, the heroine of Moods, is a passionate tomboy who yearns for adventure.  The novel opens as she embarks on a river camping trip with her brother and his two friends, both of whom fall in love with her. These rival suitors, close friends, are modeled on Ralph Waldo Emerson and Henry Daniel Thoreau. Aroused, but still "moody" and inexperienced, Sylvia marries the wrong man. In the rest of the novel, Alcott attempts to resolve the dilemma she has created and leave her readers asking whether, in fact, there is a place for a woman such as Sylvia in a man's world.  

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American Suicide

Rutgers University Press

For the nineteenth-century physician, the moral issues that suicide raised could not be isolated from its constitutional components. Thus, those who exhibited suicidal tendencies were subjected to an amalgamation of pharmacological, social, and psychological interventions, which practioners labeled the "moral treatment." By the 1890s, however, the consensus about the causes of suicide became unglued as a bacteriological medicine and the rise of the social sciences jointly served to call into question eclectic diagnoses. The goal of American Suicide is to demonstrate how the apparent contradictions among sociological, psychoanalytic, and neurobiological explanations of the etiology of suicide may be resolved. Only througha reintegration of culture, psychology, and biology can we begin to construct a satisfactory answer to the questions first raised by Durkheim, Freud, and Kraepelin.

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Revising Memory

Women's Fictions and Memoirs in 17th-Century France

Rutgers University Press

Revising Memory resurrects a particularly dynamic moment in French history when women acted on the political stage and inscribed these often subversive actions in writing.

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