Varjabedian's photographs reveal snow-white dunes of gypsum, striking landforms, storms and stillness, panoramic vistas and breathtaking sunsets, intricate wind-blown patterns in the sand, ancient animal tracks, exquisite desert plants, and also the people who come to experience this place that is at once spectacular yet subtle.

Revealing the Southwest as home to some of the most entertaining writers in twenty-first century fiction, this collection features a wonderfully diverse array of authors, including Alberto Álvaro Ríos, Ron Carlson, José Skinner, Tacey M. Atsitty, and Kirstin Valdez Quade.

Ellen McCracken provides a literary biography that includes a deep look into the intellectual and cultural contributions of this Renaissance man. McCracken moves chronologically through a substantial body of work that includes fiction, poetry, plays, essays, spiritual tracts, sermons, historical writing, translation, painting, church renovation, and journalism.

By chronicling her migratory adulthood alongside the similarly unpredictable history of Sawbill Lodge, this memoir offers a resonant meditation on home, family, environment, and the human desire for place in the inherently mobile twenty-first century.

Mining her own life and those of others, Sarah Viren considers the contingencies of ownership alongside the realities of loss in this debut essay collection.

In this unusual book an evolutionary anthropologist and her coauthor/granddaughter, who has Asperger syndrome, examine the emergence and spread of Asperger syndrome and other forms of high-functioning autism.

In this fascinating volume Lomelí and Colahan reveal Quintana's writings from deep within Inquisition archives and provide a translation of and critical look at Quintana's poetry and religious plays.

In this innovative debut collection, Tacey M. Atsitty employs traditional, lyric, and experimental verse to create an intricate landscape she invites readers to explore.

This book comprises a selection of William Hart McNichols's popular icons and sacred images into a single collection.

Not just epistolary, this novel is archival, told entirely through journals, letters, photos, drawings, notes, and clippings left behind by Nell Doerr, who lived in Lawrence, Kansas, between 1854 and 1889.