University of Delaware Press
The University of Delaware Press publishes approximately 15–20 books per year in Literary Studies, especially Renaissance and Early Modern literature; Eighteenth-Century Studies; French literature and culture; Art History and Material Culture Studies; and cultural studies of Delaware and the Eastern Shore. Showing 49-60 of 124 items.
Visualizing the Text
From Manuscript Culture to the Age of Caricature
Edited by Lauren Beck and Christina Ionescu
University of Delaware Press
This volume presents in-depth and contextualized analyses of a wealth of visual materials. These documents provide viewers with a mesmerizing and informative glimpse into how the early modern world was interpreted by image-makers and presented to viewers during a period that spans from manuscript culture to the age of caricature. The premise of this collection responds to a fundamental question: how are early modern texts, objects, and systems of knowledge imaged and consumed through bimodal, hybrid, or intermedial products that rely on both words and pictures to convey meaning?
- Copyright year: 2017
Visualizing the Text
From Manuscript Culture to the Age of Caricature
Edited by Lauren Beck and Christina Ionescu
University of Delaware Press
This volume presents in-depth and contextualized analyses of a wealth of visual materials. These documents provide viewers with a mesmerizing and informative glimpse into how the early modern world was interpreted by image-makers and presented to viewers during a period that spans from manuscript culture to the age of caricature. The premise of this collection responds to a fundamental question: how are early modern texts, objects, and systems of knowledge imaged and consumed through bimodal, hybrid, or intermedial products that rely on both words and pictures to convey meaning?
- Copyright year: 2017
Jonathan Swift's Word-Book
A Vocabulary Compiled for Esther Johnson and Copied in Her Own Hand
University of Delaware Press
This Word-Book is presumably the only work of Jonathan Swift’s not in print, until now. Since the 1690s, Swift had been formulating a list of words and definitions for his protégé Esther Johnson, beginning with terms from the Book of Common Prayer. His was apparently an ongoing list, kept rather haphazardly, with open spaces for adding new words. About 1710, when Swift was in London, Johnson, in Dublin, set out to formalize the dictionary, copying out Swift’s words and definitions to make an orderly and careful book with no blank spaces.
- Copyright year: 2017
The Papist Represented
Literature and the English Catholic Community, 1688-1791
University of Delaware Press
Most eighteenth-century literary scholarship associates the major developments in English literature and culture during the rise of modernity with a triumphant and increasingly tolerant Protestantism while assuming that the English Catholic community was culturally moribund and disengaged from Protestant society and culture. However, recent work by historians has shown that the English Catholic community was a dynamic and adaptive religious minority, its leaders among the aristocracy cosmopolitan, its intellectuals increasingly attracted to Enlightenment ideals of liberty and skepticism, and its membership growing among the middle and working classes.
Theory and Practice in Eighteenth-Century Dance
The German-French Connection
University of Delaware Press
This book is about the intersection of two evolving dance-historical realms—theory and practice—during the first two decades of the eighteenth century. France was the source of works on notation, choreography, and repertoire that dominated European dance practice until the 1780s. While these French inventions were welcomed and used in Germany, German dance writers responded by producing an important body of work on dance theory. This book examines consequences in Germany of this asymmetrical confrontation of dance perspectives.
Advertising the Self in Renaissance France
Authorial Personae and Ideal Readers in Lemaire, Marot, and Rabelais
University of Delaware Press
Advertising the Self in Renaissance France is a study of how authors and readers are represented in printed editions of three major literary figures of the French Renaissance: Jean Lemaire de Belges, Clément Marot, and François Rabelais. Print culture is marked by an anxiety of reception that became much more pronounced with increasingly anonymous and unpredictable readerships in the sixteenth century. To allay this anxiety, authors, as well as editors and printers, turned to self-fashioning in order to sell not only their books, but also particular ways of reading.
- Copyright year: 2019
Eliza Fenwick
Early Modern Feminist
By Lissa Paul
University of Delaware Press
This captivating biography traces the life of Eliza Fenwick, an extraordinary woman who paved her own unique path throughout the late eighteenth and nineteenth centuries as she made her way from country to country as writer, teacher, and school owner.
- Copyright year: 2019
Retelling the Siege of Jerusalem in Early Modern England
University of Delaware Press
This compelling book explores sixteenth- and seventeenth-century English retellings of the Roman siege of Jerusalem and the way they informed and were informed by religious and political developments. The siege featured prominently in many early modern English sermons, ballads, plays, histories, and pamphlets, functioning as a touchstone for writers who sought to locate their own national drama of civil and religious tumult within a larger biblical and post-biblical context.
- Copyright year: 2019
The Circuit of Apollo
Eighteenth-Century Women’s Tributes to Women
Edited by Laura Runge and Jessica Cook
University of Delaware Press
Written by a combination of established scholars and new critics in the field, the essays collected in Circuit of Apollo attest to the vital practice of commemorating women’s artistic and personal relationships. In doing so, they illuminate the complexity of female friendships and honor as well as the robust creativity and intellectual work contributed by women to culture in the long eighteenth century.
- Copyright year: 2019
The Enemy in Italian Renaissance Epic
Images of Hostility from Dante to Tasso
University of Delaware Press
In The Enemy in Italian Renaissance Epic, Andrea Moudarres examines influential works from the literary canon of the Italian Renaissance, arguing that hostility consistently arises from within political or religious entities. In Dante’s Divina Commedia, Luigi Pulci’s Morgante, Ludovico Ariosto’s Orlando Furioso, and Torquato Tasso’s Gerusalemme Liberata, enmity is portrayed as internal, taking the form of tyranny, betrayal, and civil discord.
- Copyright year: 2019
Women Warriors in Early Modern Spain
A Tribute to Barbara Mujica
Edited by Susan L. Fischer and Frederick A. de Armas
University of Delaware Press
Although scholars often depict early modern Spanish women as victims, history and fiction of the period are filled with examples of women who defended their God-given right to make their own decisions and to define their own identities. The essays in Women Warriors in Early Modern Spain examine many such examples, demonstrating how women battled the status quo, defended certain causes, challenged authority, and broke barriers.
- Copyright year: 2019
Women Warriors in Early Modern Spain
A Tribute to Barbara Mujica
Edited by Susan L. Fischer and Frederick A. de Armas
University of Delaware Press
Although scholars often depict early modern Spanish women as victims, history and fiction of the period are filled with examples of women who defended their God-given right to make their own decisions and to define their own identities. The essays in Women Warriors in Early Modern Spain examine many such examples, demonstrating how women battled the status quo, defended certain causes, challenged authority, and broke barriers.
- Copyright year: 2019
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