The University of Arizona Press is the premier publisher of academic, regional, and literary works in the state of Arizona. They disseminate ideas and knowledge of lasting value that enrich understanding, inspire curiosity, and enlighten readers. They advance the University of Arizona’s mission by connecting scholarship and creative expression to readers worldwide.
Interwoven
Andean Lives in Colonial Ecuador's Textile Economy
Postcards from the Sonora Border
Visualizing Place Through a Popular Lens, 1900s–1950s
Between 1900 and the late 1950s, Mexican border towns came of age both as centers of commerce and as tourist destinations. Postcards from the Sonora Border reveals how images—in this case the iconic postcard—shape the way we experience and think about place. Making use of his personal collection of historic images, Daniel D. Arreola captures the evolution of Sonoran border towns, creating a sense of visual “time travel” for the reader. Supported by maps and visual imagery, the author shares the geographical and historical story of five unique border towns—Agua Prieta, Naco, Nogales, Sonoyta, and San Luis Río Colorado.
Arizona Friend Trips
Stories from the Road
In this captivating travelogue, readers are invited to explore the Arizona known and loved by two friends through a blend of poetry, prose, and photography. Whether you’re planning your own Arizona adventure or simply yearning to wander from the comfort of home, Arizona Friend Trips promises to inspire, delight, and leave you longing for the open road.
The Documented Child
Migration, Personhood, and Citizenship in Twenty-First-Century U.S. Latinx Children's Literature
Looking at picture books and middle-grade and young adult literature written from 1997 to 2020, The Documented Child demonstrates how the portrayal of Latinx children has dramatically shifted and discusses how these shifts map onto broader changes in immigration policy and discourse in the United States.
Blue Corn Tongue
Poems in the Mouth of the Desert
Blue Corn Tongue is a like mixtape from a thirty-something Diné punk girl. It offers poetry about love, friendship, environmental destruction, and language loss.