Latinx TV in the Twenty-First Century offers an expansive and critical look at contemporary television by and about U.S. Latinx communities. This volume unpacks the negative implications of older representation and celebrates the progress of new representation, all while recognizing that television still has a long way to go.

This book illustrates how descendant communities can take control of their history and heritage through active collaboration with archaeologists. Drawing on the Philippine Cordilleran experiences, Indigenous Archaeology in the Philippines discusses how changing historical narratives help empower peoples who are traditionally ignored in national histories.

This volume explores the complex and nuanced experience of doing community-based research as a graduate student. Contributors from a range of scholarly disciplines share their experiences with CBPR in the arts, humanities, social sciences, public health, and STEM fields.

Winner of the 2021 Ambroggio Prize of the Academy of American Poets

Cardinal in My Window with a Mask on Its Beak offers the insightful voice of a first-generation immigrant to the United States in both Spanish and English. The poems, both fantastical and real, create poetic portraits of historical migrants, revealing shocking and necessary insights into humanity while establishing a transatlantic dialogue with the great voices of the Spanish Renaissance.

Trickster Academy is a collection of poems that explore the experience of being Native in Academia—from land acknowledgement statements, to mascots, to the histories of using Native American remains in anthropology. This collection illuminates the shared experiences of Indians across many regions, and all of us who live amongst Tricksters.

Soldiers, Saints, and Shamans documents how and why the Indigenous Náayari, Wixárika, O’dam, and Mexicanero peoples took part in the Mexican Revolution as they struggled to preserve their cultures, lands, and political autonomy in the face of civil war, bandit raids, and radical political reform. In unpacking the ambiguities that characterize their participation in this tumultuous period, it sheds light on the inner contradictions of the revolution itself.
 
 

Land Uprising reframes Indigenous land reclamation as a horizon to decolonize the settler colonial conditions of literary, intellectual, and activist labor. Simón Ventura Trujillo argues that land provides grounding for rethinking the connection between Native storytelling practices and Latinx racialization across overlapping colonial and nation-state forms.