Decolonial Care examines the relationship between the legacies of colonialism and the dynamics of caregiving that have emerged from the French Caribbean. Putting in dialogue postcolonial studies and care studies, this book elucidates how caring and uncaring have been historically shaped by colonialism and shows how media and narratives help develop decolonial approaches to care that sustain human life and livable environments.

An ethnography of factory accidents and their attendant reconstructive plastic surgeries in Coimbatore, Tamil Nadu, Connective Tissue explores notions of risk, work and labor practices, and the way meaning is made from experiences of trauma, care, and recovery. The book charts a chronology of the accident and its future impacts.

The Negotiation of Urgency ethnographically explores the everyday life of an Italian ER, where aging, economic precarity, draconian migration policies, hospital overcrowding, life and death, intersect daily. The analysis of the different, shifting ways in which triage operates and attention circulates in the ER illuminates the practical effects of the changing nature of welfare state in Italy, as elsewhere.

Amidst escalating social tensions in the 1980s, five comedic pioneers—Eddie Murphy, Paul Mooney, Keenen Ivory Wayans, Robert Townsend, and Arsenio Hall—revolutionized American comedy joining forces as Hollywood’s “Black Pack.” In The Black Pack, Artel Great delivers a comprehensive analysis of their work, exploring their success, creative strategies, defiance of systemic barriers, and enduring cultural legacy.

This edited volume brings together an exciting cross-regional inter-disciplinary group of scholars, scholar activists, artists and others. Each chapter focuses on a different form of “creative resistance” to the last two decades of social disconnection, increased income disparity and new burdens placed on reproductive labor and the environment taking place in China, Japan, Taiwan, Hong Kong, and South Korea. Each chapter demonstrates how individuals and communities across East Asia are making their stands in the everyday--focused on making more liveable presents and more possible futures.

This edited volume brings together an exciting cross-regional inter-disciplinary group of scholars, scholar activists, artists and others. Each chapter focuses on a different form of “creative resistance” to the last two decades of social disconnection, increased income disparity and new burdens placed on reproductive labor and the environment taking place in China, Japan, Taiwan, Hong Kong, and South Korea. Each chapter demonstrates how individuals and communities across East Asia are making their stands in the everyday--focused on making more liveable presents and more possible futures.

Monsters vs. Patriarchy examines female monstrosity as it appears in horror films from around the world and considers specific political, scientific, and historical contexts to better understand how we construct and reconstruct monstrosity, using an intersectional approach to examine the imposition of gender and racial hierarchies that support national power structures and horrorize female and other subjects.

Junctures in Women’s Leadership: Media and Journalism analyzes what motivates and enables women to become media leaders, what obstacles they face, how they solve problems, and the intersecting impacts of gender, race, ethnicity, sexual orientation, and age. In addition to looking at executive leadership, it considers moral leadership and willingness to innovate. Spanning the history of U.S. commercial, non-commercial, and alternative media, the book includes cases in print, broadcast, PR, film, and digital media.  

Junctures in Women’s Leadership: Media and Journalism analyzes what motivates and enables women to become media leaders, what obstacles they face, how they solve problems, and the intersecting impacts of gender, race, ethnicity, sexual orientation, and age. In addition to looking at executive leadership, it considers moral leadership and willingness to innovate. Spanning the history of U.S. commercial, non-commercial, and alternative media, the book includes cases in print, broadcast, PR, film, and digital media.  

Insiders, Outliers showcases the educational histories and lifewide writing experiences of adult HBCU students to illuminate critical needs for more age-inclusive practices across academia. Their cases also show the centrality of writing in fueling changes for these students and the people and institutions that they care about—including higher education.