The Brodsky Center at Rutgers: Three Decades, 1986-2017, chronicles the history and artists involved with an internationally acclaimed print and papermaking studio at Rutgers University. Judith K. Brodsky conceived, founded, and directed the atelier, which, from its onset, provided state-of-the-arts technology and expertise for under-represented contemporary artists — women, Indigenous, and from diasporas of the African, Eastern European, Latin and Asian communities — to make innovative works on paper. These artistic creations presented new narratives to American and global visual arts from voices previously not heard or seen.

An Age of Accountability highlights the role of test-based accountability as a policy framework in American education. Even after very clear disappointments no other policy framework has emerged to challenge its hegemony, and many Americans continue to believe that accountability remains a vital necessity, even if educators and policy scholars disagree.

This book highlights the modernity of Polish Jewish culture through its literature, poetry, film, cabaret, theater, architecture, the visual arts, and music in urban centers large and small. The contributors expertly reassert the belonging of Jews in Polish lands and showcase the multivalent texture of Polish Jewish cultural production before World War II.
 

As the U.S. population ages, and as health care needs become more complex, demand for paid care workers in home and institutional settings has increased. Migrants Who Care draws attention to the reserve of immigrant labor that is called upon to meet this need, telling the little-known story of a group of English-speaking West African immigrants who have become central to the U.S. health and long-term care systems.

Chinese Marriages in Transition documents the nuanced and multidirectional nature of the transformations in Chinese marriage, gender roles, and family. Using complex and large-scale historical national data as well as comprehensive data from multiple countries, Xiaoling Shu and Jingjing Chen demonstrate that Chinese new familism consists of values both old and new.