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![Reel Vulnerability Reel Vulnerability](/assets/1c95e619/9780813561035-343101-510x590.jpg)
226 pages, 6 x 9
24 illustrations
Paperback
Release Date:25 Jul 2013
ISBN:9780813561035
Hardcover
Release Date:25 Jul 2013
ISBN:9780813561042
Reel Vulnerability
Power, Pain, and Gender in Contemporary American Film and Television
Rutgers University Press
Wonder women, G.I. Janes, and vampire slayers increasingly populate the American cultural landscape. What do these figures mean in the American cultural imagination? What can they tell us about the female body in action or in pain? Reel Vulnerability explores the way American popular culture thinks about vulnerability, arguing that our culture and our scholarship remain stubbornly invested in the myth of the helplessness of the female body.
The book examines the shifting constructions of vulnerability in the wake of the cultural upheavals of World War II, the Cold War, and 9/11, placing defenseless male bodies onscreen alongside representations of the female body in the military, in the interrogation room, and on the margins. Sarah Hagelin challenges the ways film theory and cultural studies confuse vulnerability and femaleness. Such films as G.I. Jane and Saving Private Ryan, as well as such post-9/11 television shows as Battlestar Galactica and Deadwood, present vulnerable men who demand our sympathy, abused women who don’t want our pity, and images of the body in pain that do not portray weakness.
Hagelin’s intent is to help scholarship catch up to the new iconographies emerging in theaters and in living rooms—images that offer viewers reactions to the suffering body beyond pity, identification with the bleeding body beyond masochism, and feminist images of the female body where we least expect to find them.
The book examines the shifting constructions of vulnerability in the wake of the cultural upheavals of World War II, the Cold War, and 9/11, placing defenseless male bodies onscreen alongside representations of the female body in the military, in the interrogation room, and on the margins. Sarah Hagelin challenges the ways film theory and cultural studies confuse vulnerability and femaleness. Such films as G.I. Jane and Saving Private Ryan, as well as such post-9/11 television shows as Battlestar Galactica and Deadwood, present vulnerable men who demand our sympathy, abused women who don’t want our pity, and images of the body in pain that do not portray weakness.
Hagelin’s intent is to help scholarship catch up to the new iconographies emerging in theaters and in living rooms—images that offer viewers reactions to the suffering body beyond pity, identification with the bleeding body beyond masochism, and feminist images of the female body where we least expect to find them.
Probing and insightful prose combined with brilliant textual analysis makes Reel Vulnerability a welcome and original addition to gender film criticism.
By challenging the assumption that the suffering body is vulnerable, Hagelin creates an alternate logic for feminist scholars that demands that we rethink Hollywood’s uses of pain and victimization as entrees to gender.
Probing and insightful prose combined with brilliant textual analysis makes Reel Vulnerability a welcome and original addition to gender film criticism.
By challenging the assumption that the suffering body is vulnerable, Hagelin creates an alternate logic for feminist scholars that demands that we rethink Hollywood’s uses of pain and victimization as entrees to gender.
SARAH HAGELIN is an assistant professor of English at the University of Colorado, Denver.
Acknowledgments
Introduction
Part I
1. The Furies, The Men, and the Method
2. Victimized, Violent, and Damned
Part II
3. The Body at War
4. Matthew Shepard’s Body and the Politics of Queer Vulnerability
Part III
5. The Violated Body after 9/11
6. Vulnerability by Proxy
Afterword
Notes
Bibliography
Index
Introduction
Part I
1. The Furies, The Men, and the Method
2. Victimized, Violent, and Damned
Part II
3. The Body at War
4. Matthew Shepard’s Body and the Politics of Queer Vulnerability
Part III
5. The Violated Body after 9/11
6. Vulnerability by Proxy
Afterword
Notes
Bibliography
Index