David Greven

Examining the intertextual reverberations between canonical Hitchcock films and the New Hollywood of the 1970s, this revisionist reading challenges the received opinion of misogyny, racism, and homophobia presented in male desire featured in works by Hitc

A study of the struggle between narcissistic and masochistic modes of manhood that defined Hollywood masculinity from the late 1980s to the first decade of the twenty-first century.