A History of Horror, 2nd Edition

Dixon is recognized as an eminent film scholar and the current title is an impressive addition to his oeuvre. This book certainly has solid scholarship, but it is also a book that once picked up is hard to put down. Essential. Choice

Dixon is a deft and knowledgeable guide, leading us from silent ghouls to Universal's monsters. Interspersed throughout this catalogue are nuggets of surprising information. Times Literary Supplement

This is an excellent survey of horror movies. The author, a veteran film historian, takes the reader back to the beginning, when, in the first three decades of the twentieth century, such directors as Georges Melies, F. W. Murnau, and Paul Wegener were defining not only the look of a genre but also cinema itself. The period between 1930 and the late 1940s saw the rise of the classic Universal Studios characters—Frankenstein's monster, Dracula, the Wolf Man, the Mummy—and the actors who played them: Karloff, Lugosi, Chaney Jr. By the end of the 1940s, horror was dying, 'killed by a plethora of poorly made sequels.' But never fear: the period between the late 1940s and 1970 saw a massive resurgence, due in part to gimmicks (such as 3-D); low-budget quickies from the likes of Roger Corman, the wizard of the B movie; and the stylish resurrection of the classic Universal monsters by Britain's Hammer Film Productions. This survey, which takes the reader right up to the present, is full of fascinating information and is delivered in an accessible manner. Required reading for horror fans. David Pitt, Booklist

Dixon surveys the development of the horror genre from the earliest Frankenstein and Dracula films through the decades of classics by Hammer studios, William Castle, Roger Corman, and Val Lewton. Dixon covers movies seldom found in other histories and more modern, international titles such as Wolf Creek, Black Water, and Grudge. The endurance of horror, trends like remakes and sequels, and such popular franchises as Child's Play and Halloween are also discussed. In the final chapter, Dixon analyzes the decline of modern horror owing to desensitized audiences, graphic gore, violence, and lack of solid plot lines or character development. Lists of the best horror websites as well as the 50 movies covered round out this volume. This concise overview is an informative and entertaining read. Recommended. Library Journal

In less than 250 pages, Wheeler Winston Dixon manages to cover the trends and sub-genres of film horror from 1896 to 2009. Bonuses include a list of top horror sites, a list of fifty classic films, and a pretty wonderful bibliography. Well written and well researched and offering an enjoyable overview of more than one hundred years of cinema, A History of Horror is a quick, delightful read. Seattle Post-Intelligencer

No mere catalogue of titles, Dixon's account explores all aspects of the genre: literary underpinnings, themes, and transformations, including much on actors and directors. Dixon's mind-priming volume will enhance spine-tingling late-night viewings. ForeWord Reviews

A breathtaking panorama, written with wit and candor, showing how the horror film has shaped cinema from the origins of the genre until now. Tom Conley, Harvard University

Rich with excellent illustrations and clever anecdotes, this book will appeal to fans of horror as well as film students and scholars interested in a readable overview of the history of the genre. Rebecca Bell-Metereau, author of Hollywood Androgyny

'There’s No Dark Universe Anymore, Just One Monster After Another,' by Robert Ito
https://www.nytimes.com/2020/02/27/movies/the-invisible-man-universal.html New York Times

New from Rutgers U. Press: A History of Horror' by Dan Aubrey
https://www.communitynews.org/princetoninfo/artsandentertainment/new-from-rutgers-u-press-a-history-of-horror/article_3fae29f2-a6fb-11ed-9ef2-ff473369899e.html U.S. 1, Princeton